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ISAAC AND ISAIAH

THE COVERT PUNISHMENT OF A COLD WAR HERETIC

The author’s wit and biting analysis render this a most readable study.

What first appears to be a narrowly academic profile of two rival scholars amplifies into a trenchant, engaging study of the postwar split between the New Left and Western liberalism.

Historian Caute (Politics and the Novel During the Cold War, 2009, etc.) was privy to Isaiah Berlin’s attempts to blackball Isaac Deutscher from gaining an academic post in 1963, when the author and Berlin were both fellows at All Souls College, Oxford. In this sharply argued work, the author develops and clarifies their feud in light of Cold War attitudes. Both brilliant minds who hailed from Eastern European Jewish families and eventually took refuge in England from totalitarian violence, the two writers, journalists and historians made their way in British academia and publishing with remarkable success, though with vastly different ideological takes regarding the Soviet Union. As the Cold War ramped up, both became enormously in demand to delineate the struggle between the Soviet Union and the West. For Berlin, the notion of individual liberty and responsibility dispelled any illusions about Soviet reality and Marxist determinism, while Deutscher, whose formative years were spent as a member of the Polish Communist Party, was a well-connected Marxist whose deeply researched biographies of Stalin, Trotsky and Lenin were considered as helpful explanations to the West as well as apologies. Recognized as an international relations expert, Deutscher hoped to move from journalism to academia but was thwarted by Berlin, serving on the advisory board, who denounced his rival in confidential letters as being “morally intolerable.” Caute astutely probes the contentious issues, including concepts of history, Zionism and life for dissident writers in the Soviet Union.

The author’s wit and biting analysis render this a most readable study.

Pub Date: June 25, 2013

ISBN: 978-0-300-19209-4

Page Count: 336

Publisher: Yale Univ.

Review Posted Online: April 28, 2013

Kirkus Reviews Issue: May 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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