A flawed but nevertheless haunting (and haunted) novel.
British writer Constantine, long unfamiliar to North American readers, seems ready for discovery with this lyrical novel.
While ill, Eric tells a rhapsodic story of his past—one unknown to his wife, Katrin, and one unfinished when he dies. Interest piqued, Katrin consults Eric’s oldest friend, Daniel, and also plunges into letters and diaries and other ephemera, uncovering her dead husband’s relationship, long before she knew him, with a French artist named Monique. Soon, Katrin is writing Eric and Monique’s story and cannot get it out of her head. Last year’s In Another Country demonstrated Constantine’s incisiveness and lyricism, especially in the title story, which also concerns a wife discovering details about her husband’s past love life. That story, compressed and lithe, pulverized. Here, though, Constantine wallows, and one grows a little tired as he delves into a predictable pattern in the book’s first half: Katrin’s visits to a doctor, late-night ruminations, a visit with Daniel, repeat. Be patient, though: the second half is stronger, and the novel does build to a satisfying and honest conclusion. But a larger problem here is the language, which, while pretty, often feels ponderous; Constantine knows he can write an ornate sentence, and he overdoses on them. As a result, the reader always feels one step ahead of Katrin’s emotional discoveries, the author hovering over his protagonist instead of trudging alongside her; sentences like “She bethought herself of her role” or “Life continued, it insisted, it bore you along through the motions of living” prove a little distancing. You may like those sentences—this is, of course a matter of taste—but when, of Katrin’s own work, Constantine writes, “she takes a writerly pleasure in its clarity, its matter-of-fact tone,” it’s hard not to wonder whether Constantine might have benefited from something similar.
A flawed but nevertheless haunting (and haunted) novel.Pub Date: Oct. 11, 2016
ISBN: 9781771961011
Page Count: 240
Publisher: Biblioasis
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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