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THE BILLY RUFFIAN

THE BELLEROPHON AND THE DOWNFALL OF NAPOLEON, THE BIOGRAPHY OF A SHIP OF THE LINE, 1782-1836

Solid and well-researched stuff, and a pleasure for fans of Patrick O’Brian, C.S. Forester, and other chroniclers of the...

A satisfying tale of a mighty ship, and of a half-century under the mast in some of Europe’s fiercest wars.

HMS Bellerophon, writes English maritime historian Cordingly (Women Sailors and Sailors’ Women, 2001, etc.), came into existence in 1782 with only the grudging consent of the Admiralty, which foresaw little use for a big, 74-gun vessel at the time. Soon enough, though, the Bellerophon—whose crew, not trained in the gentlemanly study of Greek mythology, called her the “Billy Ruffian” or “Belly Rough One” or variants thereof—was chasing around the high seas after French privateers, then Napoleon’s fleet, facing down said blighters in encounters such as the Battle of the Glorious First of June (1794), the Battle of the Nile (1798), and, most famous of all, the Battle of Trafalgar (1805). She took her blows and lost plenty of hands, but fewer so than her French foes; Cordingly describes one engagement in which the French commander lost both his legs, but “got himself strapped into a chair and was heard to say that a French admiral ought to die on his own quarterdeck”—just before being cut in two by a cannonball. (The incident, Cordingly adds, inspired the once widely recited poem that opens “The boy stood on the burning deck.”) By good fortune, the Bellerophon received intelligence that Napoleon was planning to flee France after the Battle of Waterloo (1815) and kept after him until the emperor surrendered; the ship escorted him to Plymouth, where curious onlookers rowed out to gawk at the captive, but was judged incapable of making the long voyage to St. Helena, where Nappy lived out his days in exile. Alas, the Bellerophon lived out her own last days as a prison ship, an inglorious end to a much-vaunted vessel of the line.

Solid and well-researched stuff, and a pleasure for fans of Patrick O’Brian, C.S. Forester, and other chroniclers of the fighting sail.

Pub Date: Oct. 15, 2003

ISBN: 1-58234-193-1

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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