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COCHRANE

THE REAL MASTER AND COMMANDER

Landlubbers may find this a lengthy voyage, but devotees of yarns about brave British tars will be delighted to be aboard.

Avast, Horatio Hornblower! Shove off, Jack Aubrey! Give way to a real life knee-breeched naval hero.

Maritime historian Cordingly (The Billy Ruffian: The Bellerophon and the Downfall of Napoleon, the Biography of a Ship of the Line, 1782–1836, 2003, etc.) presents the life of Thomas Cochrane, tenth Earl of Dundonald (1775–1860), a lanky Scot who was the very model, we are told, for the stalwart characters of C.S. Forster and Patrick O’Brian. As a lad in the Royal Navy, Cochrane quickly became adept at navigation, seamanship and shiphandling. Employing family connections, then a common shortcut, he obtained command of his own ship. Using subterfuges like flying false colors (also accepted practice at the time), he captured many prize French and Spanish vessels. His career advanced as captain of a frigate, but it wasn’t all smooth sailing. Cochrane was court-martialed for losing a sloop, acquitted, then jailed in 1814 for participating in a stock market fraud. Elected a member of Parliament, he proved as terrible at politics on land as he was audacious at sea. With his remarkable record fighting Bonaparte, Cochrane was recruited to help bring democracy, or at least independence, to Chile, Brazil and Greece. In retirement, he spent time fostering useful inventions and promoting his reputation. When he died, the old hero was buried in Westminster Abbey. Readers can practically smell the salt air as Cordingly recreates the age of sail, of press gangs, of round shot, grape, canister and loud nine pounders, of well-armed ships of the line, jolly boats, bum boats and fire ships. To document the career of his hero, the author draws on memoirs, logbooks, archives, correspondence and ephemera. He chronicles in copious detail Cochrane’s considerable bravery on deck and personal failings ashore.

Landlubbers may find this a lengthy voyage, but devotees of yarns about brave British tars will be delighted to be aboard.

Pub Date: Sept. 1, 2007

ISBN: 978-1-58234-534-5

Page Count: 448

Publisher: Bloomsbury

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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