A lovingly designed metafictional sendup of genre novels.
A debut metafictional fantasy tells the story of a private investigator plucked out of his own book.
Joe Slade is the prototypical hard-boiled detective: street-smart, tough, wisecracking, and jaded. He’s attempting to solve his latest case when three strangers—emphasis on strange—step in and solve it for him. They seem to know everything about him, in fact. He agrees to go with them to their hideout to discuss a proposition they have for him. That’s when things get really weird: Time and space begin to warp, and he ends up in an impossibly large library filled with an infinite number of books. Even some volumes about himself. Joe Slade, they tell him, is the main character in a series of detective novels by an author named Ben Westing. These strangers—who turn out to be a wizard, an elf, and a dwarf—are characters in a fantasy novel by an author named Howard Zagny. “You’ve already seen we are able to escape from our own book,” the wizard tells Joe. “With your help, we will escape from all books. We’ll go there. To the world where the books are written. There we will confront our authors and live lives that we will write with our own hands.” What follows is their escapade across genres—romance, sci-fi, horror, and more—to literally meet their makers. Along the way, Joe has the opportunity to defy the tropes he’s been shackled with and find out just what sort of hero he really is. Sharp writes in a mercurial prose that morphs to fit each genre the characters travel through. He finds creative ways to portray these metafictional shifts, as here, when the narration switches from Joe’s first-person perspective to the third person: “Joe could not shake an unnameable strangeness that had settled upon him. His thoughts seemed more distant, less audible within his own mind. It was as though some kind of mental fog had settled upon his consciousness and would not relinquish its grip.” The book is clever, amusing, surprising, and genuinely fun: an old-time adventure that will keep readers on their toes while leaving the door open for any and all possibilities.
A lovingly designed metafictional sendup of genre novels.Pub Date: May 17, 2018
ISBN: 978-1-71953-015-6
Page Count: 298
Publisher: CreateSpace
Review Posted Online: Aug. 7, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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