A lovingly designed metafictional sendup of genre novels.
A debut metafictional fantasy tells the story of a private investigator plucked out of his own book.
Joe Slade is the prototypical hard-boiled detective: street-smart, tough, wisecracking, and jaded. He’s attempting to solve his latest case when three strangers—emphasis on strange—step in and solve it for him. They seem to know everything about him, in fact. He agrees to go with them to their hideout to discuss a proposition they have for him. That’s when things get really weird: Time and space begin to warp, and he ends up in an impossibly large library filled with an infinite number of books. Even some volumes about himself. Joe Slade, they tell him, is the main character in a series of detective novels by an author named Ben Westing. These strangers—who turn out to be a wizard, an elf, and a dwarf—are characters in a fantasy novel by an author named Howard Zagny. “You’ve already seen we are able to escape from our own book,” the wizard tells Joe. “With your help, we will escape from all books. We’ll go there. To the world where the books are written. There we will confront our authors and live lives that we will write with our own hands.” What follows is their escapade across genres—romance, sci-fi, horror, and more—to literally meet their makers. Along the way, Joe has the opportunity to defy the tropes he’s been shackled with and find out just what sort of hero he really is. Sharp writes in a mercurial prose that morphs to fit each genre the characters travel through. He finds creative ways to portray these metafictional shifts, as here, when the narration switches from Joe’s first-person perspective to the third person: “Joe could not shake an unnameable strangeness that had settled upon him. His thoughts seemed more distant, less audible within his own mind. It was as though some kind of mental fog had settled upon his consciousness and would not relinquish its grip.” The book is clever, amusing, surprising, and genuinely fun: an old-time adventure that will keep readers on their toes while leaving the door open for any and all possibilities.
A lovingly designed metafictional sendup of genre novels.Pub Date: May 17, 2018
ISBN: 978-1-71953-015-6
Page Count: 298
Publisher: CreateSpace
Review Posted Online: Aug. 7, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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