An often engaging thriller told in an atypical but wholly distinctive style.
In Edey’s placid debut thriller, a woman’s body washes ashore in Canada and her daughter and son-in-law are determined to find those responsible for her death.
An officer of the Royal Canadian Mounted Police calls his former colleague, Stanley Watson, to tell him that an unidentified female corpse has been found on a Nova Scotia beach. Police rightly suspect that it’s Stanley’s terminally ill mother-in-law, Marion, whom Stanley and his wife, Chelsea, had reported missing from her European seniors’ home. Chelsea travels to Sherbrooke to commemorate where Marion was found with a plaque. In a flashback from nearly a year earlier, an enigmatic woman named Lee plans to create a clinic for the wealthy elderly (like Marion), but it’s clear that she has darker motives: Her funding comes from a man with possible mob ties, and the surgeon she plans to hire is a literal butcher. This thriller is more invested in the conception of the crime and its consequences than the crime itself. The second chapter, which takes up nearly half of the book, is told primarily from Lee’s perspective as she discusses putting the clinic together and, eventually, reveals her ultimate goal. The author takes an intriguing approach, however, opting never to show the actual commission of the murder, instead jumping forward in time to show Stanley as he learns who may be behind Marion’s killing. Edey can deliver indelible turns of phrase, such as when he describes a woman greeting Lee with “cold displeasure.” However, some metaphors are less apt, as when Lee, at one point, sports a “hedge-apple smile.” The story’s structure deftly covers the psyches of both the victims and perpetrators, although lengthy passages, focusing on single characters, make it easy to predict when, for example, Stanley’s 12-year-old granddaughter will return to the story.
An often engaging thriller told in an atypical but wholly distinctive style.Pub Date: June 26, 2014
ISBN: 978-1460201923
Page Count: 328
Publisher: FriesenPress
Review Posted Online: Nov. 10, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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