A fast-paced crackerjack tale, solidly plotted and a pleasure to read.

THE THIRD DAY

A team of adventurers searches through time for a missing Nobel prizewinner.

Former Army Intelligence operative Bill Culloden is asked by hedge-fund manager Jonah Markowitz to find physicist Henry Bryson, who was working on a trading algorithm to beat the markets. Along with Markowitz’s son, Ray, Culloden heads to Boston to question Bryson’s wife, Juliet, who discloses that she and her husband became millionaires—by sending buy orders for Walmart and Cisco back in time. It seems Bryson is dead—he died around 2,000 years ago in Jerusalem on a time-travel mission gone awry. After obtaining Bryson’s exact coordinates at his death, Culloden, Markowitz, archaeologist Dr. Robert Lavon and lovely Sharon Bergfield head back to the Jerusalem of Jesus’ time, where they encounter some lethally efficient Roman soldiers not completely convinced by their back story. The team crosses paths with Pilate, Herod and Jesus, as they fight to survive in a time of leprosy, torture, gladiator combat and crucifixion—and possibly corroborate the resurrection, if they live long enough. Among the book’s strengths, and there are many, is placing the reader at the scene of the days surrounding one of the most significant events in our history. The author creates scene after scene of people taking care of everyday business—bathing, preparing food, conducting religious ceremonies, caring for the sick. Another plus is a cast of characters motivated by the joy of discovery, rather than money, lust, fame or any of the typical self-serving interests. While the plot incorporates events surrounding Jesus’ arrest and crucifixion, the tale never dissolves into a simple retelling of the Gospels. Once the action starts, it never lets up until the final page. Some nifty state-of-the-art gadgets would do James Bond proud, including an ear-bud all-language translator and a bandage that, after healing near-fatal wounds, disappears into the flesh. Although the story unfolds from Culloden’s viewpoint, this is an ensemble play, requiring that each character eventually take center stage. It all comes together beautifully for a satisfying, nick-of-time conclusion.

A fast-paced crackerjack tale, solidly plotted and a pleasure to read.

Pub Date: Sept. 1, 2011

ISBN: 978-0983841128

Page Count: 396

Publisher: David M. Epperson

Review Posted Online: Jan. 13, 2012

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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