Fans of John Le Carré will appreciate this solid effort.


Ruppert’s debut thriller chronicles the heroic exploits of a clandestine group of seven men.

The Seven Watchmen are a group of European ex-military men on a mission to destabilize a ruthless Zimbabwean dictator who destroyed his nation’s economy by systematically killing off white farmers, on whom the nation’s food supply was dependent. When a Zimbabwean official is assassinated, the dictator finds an opportunity to influence the upcoming American presidential election, as well as political fortunes in the U.K. The CIA and British government officials race to keep their respective leaders out of the fray, while the Watchmen manipulate policy through extraordinary measures. Thomas Streich, a bored IRS lawyer and ex-military man who has grown disgusted by the complacency and cowardice found in modern politics and society, is charged with figuring out the whole mess; readers pull together the disparate strands of the intricate plot through his eyes. Ruppert deserves credit for finding a way to keep the action in order, yet there are some missteps. When one character’s sexual orientation is revealed late in the book, it comes off as a lazy way to make him seem even more morally corrupt—an idea that had already been fairly well established. An additional romantic plotline conveniently blossoms when another character needs to be introduced. There’s also a strong underlying message that society has fallen prey to “political correctness”—anything from being unmanly to allowing women to serve in the military. This characterization is integral to the novel’s portrayal of heroes and villains, which some readers are likely to find offensive. The book employs a sophisticated vocabulary and writing style that’s mostly effective, save for a few stiff lines of dialogue. Ruppert repeatedly starts scenes without identifying all of the characters present, even after they’ve spoken; it’s an unoriginal way to manufacture drama, and a trick that Ruppert’s story doesn’t need. However, the flaws don’t amount to much more than a distraction in this otherwise entertaining thriller with a distinct point of view.

Fans of John Le Carré will appreciate this solid effort.

Pub Date: Oct. 16, 2009

ISBN: 978-1439250198

Page Count: 290

Publisher: BookSurge

Review Posted Online: May 31, 2012

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.



In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A


Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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