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HUNTED

A TRUE STORY OF SURVIVAL

A real squirmer—outrageous white-knuckle horror—and you can only imagine: better him than you.

A difficult and dangerous climb in the Alaska Range turns grotesque beyond measure when mountaineer Fletcher becomes the object of a grizzly bear's undying wrath.

As Englishman Fletcher tells it, he's a bit of a hard case in the climbing world, the kind of fellow who likes to go it alone, unsupported and without previous reconnaissance, without weapons, though he had been warned of the rough-customer grizzlies of his chosen venue, Mt. Hess, a peak rarely visited. “I was balancing off the weight of a rifle and ammunition against the unlikely event of meeting a bear.” Think again. Not only does he meet a bear, he kills it in a moment of terror and confusion. It turns out to be a cub, and Fletcher is appalled by what he has done—but he will pay for it, with interest. Another bear soon materializes: “It has to be the one whose cub I killed. I can tell by the hatred written all over it. . . . I can clearly see that the bear has every intention of tearing me to pieces.” From there on out, the writing stays atwitter as Fletcher recounts his flight from the bear—he manages to scale Mt. Hess in the process—and the absurd, almost comical number of encounters they have. At one point, the bear has a claw hooked into his boot as Fletcher dangles from a rope attached to a frozen waterfall, when a large section of the ice collapses on the beast. But it rises, like Glenn Close in Fatal Attraction, time and again. Fletcher overdraws the final moments—the seconds really do draw into hours, but they are so fraught, readers will hang in there with him. Trapped in a crevasse, the bear's claws raking his jacket, Fletcher sets the bear alight, leading to a final showdown.

A real squirmer—outrageous white-knuckle horror—and you can only imagine: better him than you.

Pub Date: June 1, 2001

ISBN: 0-7867-0998-7

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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