This virgin’s pilgrimage in service of God and wisdom is more intellectual exercise than tale of intrigue, more allegory...
Flusfeder (A Film by Spencer Ludwig, 2010, etc.) entrusts John the Pupil with placing Roger Bacon’s Great Work in the hands of Pope Clement IV.
John is a peasant boy plucked from his village near Oxford’s Franciscan monastery. Clever and malleable, he's the single student to survive polymath Bacon’s rigorous tutelage. "I am the mirror he is constructing, to reflect him back to himself," John discovers before he breaks free of obedience. In 1267, with companions Brother Andrew, "dainty and girlish," and Brother Bernard, "silent and large and phlegmatic, half-doltish," John is charged with carrying Bacon’s Opus Majus—containing "Truth. Wisdom. The meanings of past and future times, the details of the construction of devices that some men might call miraculous"—from Oxford to the pope in Viterbo, Italy. Flusfeder frames his novel as John’s contemporary journal, one discovered, neglected, rediscovered. The journal’s marked by saint’s days, each chapterlike segment highlighted by short biographies of saints known and obscure. The characters John meets are metaphorical: corrupt and duplicitous Simeon the Palmer, a rogue paid by others to do penance; Father Gabriel, "a superior soul," who is a "master gardener" who uses his plants to heal; next, amid a war between the Ghibellines and the Guelphs, they encounter a "holy virgin" and find hedonistic luxury within the great lord Cavalcante de Cavalcanti’s castle. Each tempts John, especially after he learns Bacon hasn’t trusted him completely. John’s meeting with Pope Clement offers a poignant denouement, especially Flusfeder’s sketch of the aged and weary pontiff. There’s distance from the harsh realities of medieval times in the imagined journal text, and the author incorporates a series of notes to explain certain terms and circumstances.
This virgin’s pilgrimage in service of God and wisdom is more intellectual exercise than tale of intrigue, more allegory than adventure.Pub Date: March 3, 2015
ISBN: 978-0-06-233918-8
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
