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BOTH FLESH AND NOT

ESSAYS

Not altogether Wallace’s finest work, but it brings some welcome exposure to some of his best pieces.

Previously uncollected essays and reportage by the late author, reflecting his varied interests, from tennis to Borges to higher math.

This collection is arranged not in terms of chronology but notoriety: It’s front-loaded with three pieces that Wallace fans have long wished to see in book form. “Federer Both Flesh and Not” is a bracing critical study of tennis star Roger Federer at Wimbledon in 2006; though Wallace spent face time with the star, quotes are tucked into the author's trademark footnotes, and he writes mainly as a spectator admiring the power of the human body to perform at extraordinary levels. “Fictional Futures and the Conspicuously Young” is a potent 1988 essay on the roots of what he felt was largely threadbare minimalist fiction. “The Empty Plenum,” an encomium to David Markson’s 1988 novel Wittgenstein’s Mistress, explores the philosophical machinery behind the book and serves as a careful defense of avant-garde fiction. The remainder of the collection is weaker, composed of book reviews and brief essays on politics, sex and the writing life that feel less impassioned than commissioned. A report on the 1995 U.S. Open is a shallower version of Wallace’s infamous cruise-ship article, and a 2001 essay on prose poems fractures the traditional essay form into bullet points to little effect. The best overlooked work here is a set of usage notes contributed to the Oxford American Writer’s Thesaurus: Wallace has a blast riffing on the fine points of “pulchritude,” “unique,” “hairy” and other words. To stress his status as a lifelong word maven, the pages between pieces are filled with words and definitions from Wallace’s personal vocabulary list, from “croker sack” to “pyknic.”

Not altogether Wallace’s finest work, but it brings some welcome exposure to some of his best pieces.

Pub Date: Nov. 27, 2012

ISBN: 978-0-316-18237-9

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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