While not always gripping, this novel from veteran screenwriter Fuller is well worth reading because of Cassius’s sinuous...
A debut novel of the Civil War, set on the Virginia tobacco plantation of Sweetsmoke during 1862.
The narrative focuses on Cassius, “of lean and hungry look,” and indeed named after the character in Shakespeare’s Julius Caesar. Looked after by his master, Hoke Howard, Cassius is smart, shrewd and resentful. Besides Hoke, the dominant influence in his life has been Emoline Justice, an old black woman who during a traumatic time in Cassius’s life had taught him to read and write—and who at the beginning of the novel has been brutally murdered. One conceivable motive is the fact that in addition to her role as a fortuneteller and an herbalist, Emoline has been serving as a Federal spy, and it’s not clear who knows this secret part of her identity. While giving off the “sweetsmoke” flavor of life on a plantation, the novel also shares something with the whodunits of detective fiction, for Cassius is determined to find her murderer. One prime suspect is Solomon Whitacre, a weasly quartermaster in the Confederate Army. Another is Hoke, for his kindly exterior conceals a ruthless and pitiless interior. While Cassius is offered numerous opportunities to escape, his strong desire to avenge Emoline’s death keeps him close to home. Fuller gives us different perspectives on slavery and on the war—we learn about life on the plantation through the slaves themselves, through the privileged life of the owning families and through soldiers who fight not out of loyalty to the Confederacy but to escape dull marriages and the dreariness of domestic life. We also learn of inside maneuvering, of how slaves are pitted against each other to contend for relationships of relative power and prestige. Cassius is eventually caught up in the barbarity of Sharpsburg and finds a creative way to get his freedom—and to solve the mystery of Emoline’s murder.
While not always gripping, this novel from veteran screenwriter Fuller is well worth reading because of Cassius’s sinuous and guileful complexity.Pub Date: Sept. 1, 2008
ISBN: 978-1-4013-2331-8
Page Count: 320
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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