A lifetime’s worth of workbench philosophy in a heartfelt memoir about the connection between a father and son.

FURNISHING ETERNITY

A FATHER, A SON, A COFFIN, AND A MEASURE OF LIFE

A middle-age man and his father bond over the building of the son’s coffin.

Giffels (English and Creative Nonfiction/Univ. of Akron; The Hard Way on Purpose: Essays and Dispatches from the Rust Belt, 2014, etc.) has written for a wide variety of publications, including the Wall Street Journal, the New York Times Magazine, Grantland, and Beavis and Butt-Head (an association that he illuminates in these pages). However, in this highly personal book, he casts himself as very much his father’s son, a can-do man of the Midwest, someone who is happiest when he is busy with some sort of project. The author calls it “ ‘the family disease.’ A restlessness, a compulsion to keep doing things, doing new things and newer things yet, a discomfort with comfort.” So he and his father decided to build a coffin together—but not one for the father, an 81-year-old widower whose own life had been threatened by cancer. They built one for the author, who was in no immediate need of one, except perhaps for literary purposes and for the need to finish the project before his father died. “One of my goals with this endeavor was to learn from him—practical skills and hopefully more,” writes Giffels. “Whatever he would allow. And just to have reason to spend extra time with him.” Intimations of mortality intensified as the author lost his best friend to cancer, shortly following the death of the author’s mother, which had blindsided him. “Grief,” he writes, “has a way of becoming about everything in one’s daily existence….Everything bathed in the sadness of loss.” So, in addition to providing a bonding opportunity with his father, the coffin became a way of dealing with grief and with mortality.

A lifetime’s worth of workbench philosophy in a heartfelt memoir about the connection between a father and son.

Pub Date: Jan. 2, 2018

ISBN: 978-1-5011-0594-4

Page Count: 256

Publisher: Scribner

Review Posted Online: Sept. 24, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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