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SHOOTING CROWS AT DAWN

Revenge and justice burn across Texas in this gripping, grisly shootout.

Awards & Accolades

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Escaped murderers, a Texas sheriff and an author who isn’t afraid to spill a lot of blood.

Crime novelist Grace (Daniel, 2010, etc.) sets up a classic police procedural, but whets the plot with cutthroat Texas politics told in the sharp perspective of a remorseless escaped con. Aging Sheriff Jubal Dark put murderer Carl Alvin Spence in prison four years ago—since then, Spence has thought only of freedom and revenge. After his escape from a Louisiana prison, Spence aims for Mexico with two co-conspirators along for the ride, but he can’t pass through Texas without trying for Dark’s life. Meanwhile, Dark, sheriff of Francine County for nearly 20 years, focuses on his upcoming, long-odds reelection bid. Two years before, a local girl was found raped and murdered in her home; despite Dark’s best efforts, the killer is still walking free. Spence rumbles through the county on a murderous romp two weeks before the election—although he fails to take out the sheriff, the trail of stolen cars and dead bodies does nothing to help Dark’s reelection bid. Relentless Dark vows to stop Spence before the election, so the chase is on. Initially, the bloody details of Spence’s violence—told from his brutal perspective—feel gratuitous, but as the novel progresses, his cunning and ruthlessness hit the right notes for guilty pleasure. One drawback: Grace has a tendency to overwork his similes and metaphors with impressive comparisons from unlikely sources, distracting the reader. Dimwitted escapee Bobby Joe Blaine poetically compares a dying man to “a puppet with a cut string.” Luckily, the touch of literary license doesn’t sever the tension.

Revenge and justice burn across Texas in this gripping, grisly shootout.

Pub Date: Jan. 23, 2012

ISBN: 978-1434440365

Page Count: 354

Publisher: PointBlank/Wildside

Review Posted Online: Feb. 10, 2012

Kirkus Reviews Issue: March 1, 2012

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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