by David Helvarg ‧ RELEASE DATE: Oct. 3, 1994
A carefully researched account of the antienvironmentalist ``Wise Use'' Movement, which has launched a ``holy war against the new pagans who worship trees and sacrifice people.'' Helvarg, an investigative reporter and documentary filmmaker, went behind the front lines to interview the movement's leaders, its grassroots supporters, industry and New Right backers, as well as the victims of the rising tide of antigreen violence. Helvarg brilliantly documents the creeping polarization in American life that we see also in such issues as abortion rights and gun control. As much as environmentalists want to preserve nature, some industries want to preserve unlimited access to natural resources, employees want to preserve their jobs, and property owners want to preserve their right to dispose of their land as they wish. The antienvironmentalist backlash, best exemplified by the ``Wise Use'' Movement, has received considerable attention from the conservative press and key figures such as Rush Limbaugh. But Helvarg faults sympathetic coverage in the mainstream press, particularly the New York Times, for giving the movement more credibility and respectability than its numbers and tactics warrant. His investigation reveals that Wise Use/Property Rights activists are few in number and need to resort to intimidation and violence to be effective in local confrontations. He visits an antilogging protester who was maimed by a car bomb, an antitoxics activist who was raped and tortured, and others who were beaten, shot at, had their dogs mutilated, cars run off the road, and homes burned down. He contends that these and thousands of other cases of harassment are effectively silencing many grassroots environmental activists. More disturbing is the lack of interest on the part of law enforcement agencies, including the FBI, in looking into these threats and acts of violence. A thought-provoking and timely exposÇ.
Pub Date: Oct. 3, 1994
ISBN: 0-87156-459-9
Page Count: 512
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: July 1, 2015
Categories: BIOGRAPHY & MEMOIR | UNITED STATES | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn with Ray Suarez
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by Howard Zinn & edited by Timothy Patrick McCarthy
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