A rare psychobiography that does not strain the bounds of credulity.
“How could a man who had no friends be also a man who had nothing but friends?” asks Lincoln scholar Donald as he ponders the Great Emancipator’s essential loneliness.
After Lincoln was assassinated, writes Donald (American History & American Civilization/Harvard; Lincoln, 1995, etc.), plenty of people stepped forward to claim that they had been among his closest friends, and indeed Lincoln had a gift for making just about anyone who did not really know him feel right at home. Yet just about everyone who truly did know him sensed that Lincoln drew from a deep well of reserve and apartness; as his former law partner William Herndon, who shared an office with Lincoln for 16 years, remarked, “He was the most reticent and mostly secretive man that ever existed; he never opened his whole soul to any man; he never touched the history or quality of his own nature in the presence of his friends.” Several events formed and reinforced Lincoln’s solitude. Growing up on the frontier, with few agemates or playmates, Lincoln lacked intimate friends in his childhood; Donald writes that “boys who do not have chums often have difficulty in establishing close, warm friendships, and there is some evidence that such boys are more likely to suffer from depression in later years”—as Lincoln surely did. Add to this the loss of his mother at an early age and what the evidence suggests was an essentially loveless marriage to Mary Todd (whom Donald treats with some sympathy, but who nevertheless emerges as a basically disagreeable person), and Lincoln’s melancholic loneliness seemed all but foreordained. Yet he did have friends of a fashion, and he relied on six in particular—Joshua F. Speed, Herndon, Orville H. Browning, William H. Seward, John Hay, and John G. Nicolay—for advice, solace, and even love. (Of a kind: Donald disputes current theories that Lincoln was gay.) His interactions with those six, revealed through a blend of anecdote and hard-won documentary evidence, form the heart of Donald’s well-paced narrative.
A rare psychobiography that does not strain the bounds of credulity.Pub Date: Nov. 10, 2003
ISBN: 0-7432-5468-6
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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