An exquisitely moody, searing assemblage of tales, each distinctively contributing to the atmosphere and desperation of The...
A collection of jarring prison stories centers on Alcatraz.
Editors Keaton (Stealing Propeller Hats from the Dead, 2015) and Clifford’s (Trouble in the Heartland, 2014, etc.) group of 19 crime tales is influenced by the historic, notorious Alcatraz Island penitentiary. In his witty, dynamic introduction, Keaton writes of being inspired by the iconic fortification soon after his relocation to California, where he discovered a basketball tournament held in the Alcatraz prison yard. “Combine an island with a prison, and you’ve got a recipe for mythmaking,” notes Keaton, who, along with this band of talented writers, seems bewitched and enchanted by the eerie, mysterious legend of The Rock. Author and New York radiologist Glenn Gray contributes the riveting opener, “Break,” narrated by a brittle-boned prisoner who commemorates his 1941 incarceration in Alcatraz with a contortionistic escape plan. Nick Mamatas’ taut, psychedelic “Being Whitey” channels a malevolent Whitey Bulger through the use of LSD, resulting in a trippy, imaginative treat. In “Dream Flyer,” Les Edgerton, an ex-con and award-winning author, evokes the frighteningly authentic voice of a tough convict eager for his day of reckoning. The volume derives much of its strength from the variety of its contents even while all of the stories orbit a common theme. Crime fiction author and Civil War buff Rory Costello offers a unique history lesson with his 1865-set tale “The Sympathizers,” as does Mark Rapacz’s “Bodhisattva Badass,” a hardcore, 1932-set meditation on bedeviled incarceration. The assortment is accented by a raw, edgy, historical photo collage of Alcatraz, which lends the book a spooky, grim spirit. Each story has merit, whether reflecting the solemn hopelessness of the concrete tomb or capturing the essence of the inmate experience. As none of the pieces approach novella length, readers can enjoy them in the amounts they choose. These tales—infused with raw characterizations, singular narrative voices, and fictionalized situations—vividly conjure the cynical chill of the prison experience. Closing out the anthology are novelist Rob Hart’s potent, food-themed yarn “The Gas Chamber”; Southern author Leah Rhyne’s gorgeous ballerina love song “The Music Box”; and Nick Kolakowski’s unvarnished glance at the institution, where one character, dubbed the “Man in Black,” laments that there’s “nothing good about a prison you can’t walk out of.” But these hardened tales demonstrate that Alcatraz certainly provides bracing entertainment.
An exquisitely moody, searing assemblage of tales, each distinctively contributing to the atmosphere and desperation of The Rock.Pub Date: May 18, 2017
ISBN: 978-1-940885-37-7
Page Count: -
Publisher: Broken River Books
Review Posted Online: June 12, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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