A highly recommended historical tale that will make readers hope that the good doctor has more novels in him.
In Kerns’ (Standard of Care, 2007) latest novel, a student learns much more than obstetrics during a baptism by fire on Chicago’s West Side in the fateful spring of 1968.
Every med student in Northwestern University’s program must spend two weeks at the Chicago Maternity Center, whose mission is to serve a deeply poor, predominantly African-American area of the city, overseeing pregnancies and delivering babies. The students are pushed to their physical limits, and some are scared about working in a potentially threatening neighborhood—and about their own competence as doctors. Nick Weissman, a Jewish-American student, is flush with idealism and liberal political views; he’s tested while earning the trust of Blossom Amos, a sullen, withdrawn 14-year-old African-American girl pregnant with twins. A parallel storyline follows the notorious James Earl Ray, who escapes from a Missouri prison, travels all across the South and eventually to Memphis—the site of his assassination of the Rev. Martin Luther King Jr., which sets off horrific riots in Chicago and elsewhere. In this chaos, Nick and the others are about to evacuate for their own safety. Then comes word that Blossom is in labor, and Nick makes a fateful decision to help her, against all odds. Kerns is an engaging writer who gives the story such momentum that it fairly gallops to its conclusion. He also effectively draws on aspects of his own life, including two weeks that he spent working at the Chicago Maternity Center in real life; all of the novel’s gritty details ring as true as they should. Some elements are fictional, though, such as the Abrafo, which is said to be the most terrifying of the local African-American gangs. Also, Nick and James Earl Ray never meet—but the fact that they serve as vectors of good and evil makes for an inspired plot device.
A highly recommended historical tale that will make readers hope that the good doctor has more novels in him.Pub Date: Feb. 7, 2018
ISBN: 978-0-9966765-3-3
Page Count: 256
Publisher: Bay Tree Publishing
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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