Where do rivers come from? According to the author, “A river begins in the mountains where raindrops fall on high hills or drops drip from ice and snow or spill over banks of lakes and ponds.” It is those drops that run down the mountain that form the rivers. He recounts how young rivers are full of energy, fast-moving, carrying dirt and small rocks and gouging out channels in the rocks, while old rivers spread out and meander, leaving behind islands and small lakes. Finally, rivers reach the sea or ocean. He explains how plants, animals, and people depend on the waterways and concludes with a plea for cleaning up and protecting the rivers from trash and pollution, and suggestions for further reading. The language is readable, often poetic. Nathan, who worked with Harrison on Caves: Mysteries Beneath Our Feet (not reviewed), offers stylized illustrations that are vividly colored and swept clean of distracting detail. They combine airbrush, watercolor, and crumbled paper or scratch art to add texture. Most striking are a double-paged spread of a black-and-white ocean liner slicing through a purple sea, and an aerial view of the intense green delta against the deep blue water of the ocean. Illustrations of people or animals are less successful, often stiff or fuzzy. An adequate introduction to the water cycle for early childhood. (Nonfiction. 6-8)
Pub Date: April 1, 2001
ISBN: 1-56397-968-3
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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