A gripping detective story with biblical undertones.

PREORDAINED

In Wallace’s (Trojan, 2016) supernatural thriller, a South Carolina cop tracks a serial killer with ties to the occult and starts having visions of a demon.

The last few weeks in Georgetown County have been traumatic, as someone’s been abducting and killing 12-year-old boys there over the last few weeks, carving the Star of David into their bodies. Detective Art Somers worries about his son, Benjamin, who’s the same age as the victims, and his anxiety only increases when the murderer starts using Art’s town, Murrells Inlet, as a dumpsite for corpses. But right around the time that Art locks onto a viable suspect, the FBI takes over the case, so he and his fellow detective (and new fiancee) Angela Hunter move on to work a security detail for tech billionaire Cory D’Meadow. When they ensnare a would-be assassin targeting D’Meadow, however, Art finds evidence of cult activity in town, which may also be connected to the child murders. He also starts to experience intense visions involving a demonic creature; in one vision, it’s rising out of the earth and in another, it’s assaulting a woman. When Art sees a bright light and hears a voice telling him that he’s been “chosen for a special mission,” he’s certain that he’s either losing his mind or caught up in something truly otherworldly. Despite the supernatural touches at play here, Wallace’s novel is refreshingly subtle. The story aptly blends the horror and crime genres, as Art’s bizarre episodes are just as essential to the plot as the real-world evidence. Art’s personal dilemma is an engaging one: he’s been an atheist ever since the murder of his parents and sister long ago, and he struggles with believing that God has handpicked him. Nevertheless, Wallace handles it all with panache: his detective protagonist, determined to find a solution, compiles every clue, whether they’re from murder scenes, Bible passages, or his own visions. His investigation becomes even more personal when someone he loves is in peril.

A gripping detective story with biblical undertones.

Pub Date: N/A

ISBN: 978-0-9972257-2-3

Page Count: -

Publisher: CreateSpace

Review Posted Online: April 24, 2017

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

HOME FRONT

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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