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PREORDAINED

A gripping detective story with biblical undertones.

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In Wallace’s (Trojan, 2016) supernatural thriller, a South Carolina cop tracks a serial killer with ties to the occult and starts having visions of a demon.

The last few weeks in Georgetown County have been traumatic, as someone’s been abducting and killing 12-year-old boys there over the last few weeks, carving the Star of David into their bodies. Detective Art Somers worries about his son, Benjamin, who’s the same age as the victims, and his anxiety only increases when the murderer starts using Art’s town, Murrells Inlet, as a dumpsite for corpses. But right around the time that Art locks onto a viable suspect, the FBI takes over the case, so he and his fellow detective (and new fiancee) Angela Hunter move on to work a security detail for tech billionaire Cory D’Meadow. When they ensnare a would-be assassin targeting D’Meadow, however, Art finds evidence of cult activity in town, which may also be connected to the child murders. He also starts to experience intense visions involving a demonic creature; in one vision, it’s rising out of the earth and in another, it’s assaulting a woman. When Art sees a bright light and hears a voice telling him that he’s been “chosen for a special mission,” he’s certain that he’s either losing his mind or caught up in something truly otherworldly. Despite the supernatural touches at play here, Wallace’s novel is refreshingly subtle. The story aptly blends the horror and crime genres, as Art’s bizarre episodes are just as essential to the plot as the real-world evidence. Art’s personal dilemma is an engaging one: he’s been an atheist ever since the murder of his parents and sister long ago, and he struggles with believing that God has handpicked him. Nevertheless, Wallace handles it all with panache: his detective protagonist, determined to find a solution, compiles every clue, whether they’re from murder scenes, Bible passages, or his own visions. His investigation becomes even more personal when someone he loves is in peril.

A gripping detective story with biblical undertones.

Pub Date: N/A

ISBN: 978-0-9972257-2-3

Page Count: -

Publisher: CreateSpace

Review Posted Online: April 23, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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