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ARKANSAS

THREE NOVELLAS

Grim, disturbing explorations of the way in which lust and loneliness can destroy the possibility of love, by the author of two story collections (including A Place I've Never Been, 1990) and three novels (While England Sleeps, 1993, etc.). In ``The Wooden Anniversary'' Nathan and Celia are reunited after a five-year separation, and almost immediately misunderstand one another again. Celia, desperately in love with Nathan (who is gay) for many years, having finally pried herself away from him, has lost weight, gotten a husband, and become the proprietress of a successful cooking school in Tuscany. Nathan, ``world weary and travel worn,'' becomes infatuated with Mauro, Celia's handsome young Italian chef, and out of simple lust, or boredom (and, perhaps, with the masochistic Celia's unconscious assistance) sets a devastating farce in motion. ``Saturn Street'' concerns Jerry, a young, deeply disaffected writer in Los Angeles who finds himself increasingly attracted to Phil, handsome, blithe, and dying of AIDS. Leavitt chillingly captures the sense of a devastated gay community in which everyone now ``operates from fear.'' ``The Term Paper Artist,'' the most troubling of the three novellas, plays some unsettling games with fact and fiction. The narrator, ``David Leavitt,'' having been sued by an English poet for passages in his novel While England Sleeps, goes home to California, where he receives a bizarre offer from the handsome, amoral, heterosexual college-age son of family friends: He'll allow David to perform a sex act with him, if he writes a term paper of vital importance. David does so, word circulates, and he finds himself besieged by a variety of straight college boys willing to strike a similar bargain. There's an alarming sense of self-laceration in all this, not much redeemed by the suggestion that the sex (and the research on the papers) somehow stimulates David's hitherto exhausted creative energy. Sad tales of anomie and of confused, contradictory quests for love. (Author tour)

Pub Date: April 3, 1997

ISBN: 0-395-83704-9

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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