by David Lienemann ; photographed by David Lienemann ‧ RELEASE DATE: Sept. 8, 2020
Savor the visual presentation; skim the text.
A generous photo tribute to the former vice president and current Democratic candidate for president.
Lienemann, a New Mexico–based lifestyle photographer, documented Biden’s eight years as vice president to Barack Obama, following him to nearly every U.S. state and more than 60 countries. Here, Lienemann draws from the more than 900,000 photos he snapped during his tenure with Biden. The vast majority of the photos are skillful, and some of the shots are especially memorable: Biden with SEAL trainees, interacting with troops in Baghdad, signing a soldier’s flag, golfing with Obama at Joint Base Andrews, visiting Dachau with a Holocaust survivor, mourning the death of his son Beau, and speaking with the staff of Orlando’s Pulse nightclub after the 2016 mass shooting. The primary problem with the book is the text, which would have benefitted from a seasoned writer’s touch; there’s not much spark in the captions either. Aside from sharing the photos as an homage to Biden, what is the purpose of the book? Lienemann seems unsure, especially regarding how much he should appear in the narrative. It would have been interesting to hear more about his relationships with the Bidens and their team during those eight intense years. When he tells us almost in passing that he met his future wife in the White House, most readers will be eager for further information. The same could be said for the author/photographer’s coverage of the mechanics of Biden’s politics. Why not include more about Biden’s campaign for Hillary Clinton, “who[m] he saw as the natural successor to the Obama-Biden administration”? Were Biden and Clinton close? As America faces the Trump-Biden election in November, Lienemann leaves us wondering—as we enjoy his terrific photos—what might have happened if Biden was the Democratic candidate in 2016. Biden’s wife, Jill, provides the foreword.
Savor the visual presentation; skim the text.Pub Date: Sept. 8, 2020
ISBN: 978-0-316-59323-6
Page Count: 256
Publisher: Voracious/Little, Brown
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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