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READY FOR MY CLOSEUP

THE MAKING OF SUNSET BOULEVARD AND THE DARK SIDE OF THE HOLLYWOOD DREAM

A deft account of a Hollywood classic.

How Sunset Boulevard made film history by reflecting on Hollywood’s past.

Widely considered the finest Hollywood film about Hollywood, director Billy Wilder’s Sunset Boulevard (1950) rose out of crisis. Wilder’s two previous movies had flopped, the studio system was crumbling, a crackdown on Hollywood leftists was underway, and the growth of television threatened the film industry. Amid this turmoil, Wilder and his team fashioned a quirky film about an aging film star, a desperate young screenwriter, and the disfiguring effects of what author Lubin calls the dark side of the Hollywood dream. Wilder’s project was by no means a safe bet. With its irreverent script, mordant humor, and edgy sensibility, Sunset Boulevard jumped between genres and lampooned the industry that produced it. Yet Lubin’s capsule biographies of the film’s principals reveal how the project came together and made cinematic history. Wilder’s early years in Vienna and Berlin are vividly recounted, as are the remarkable careers of Gloria Swanson and Erich von Stroheim. Producer and screenwriter Charles Brackett, actor William Holden, and supporting actress Nancy Olson are given their due. So are Hedda Hopper, Buster Keaton, and Cecil B. DeMille, whose appearances in the film helped blur the line between past and present, art and real life. Lubin keeps the film, its creators, and its reception in sharp focus and displays a knack for concise analysis. Sunset Boulevard was a movie “about has-beens and also-rans, about failed comebacks, misguided dreams, and murderous delusions.” Yet it was made by “a raft of exceptionally creative individuals, all at critical junctures in their careers, several of them playing roles that seemed drawn from their actual lives.” Deeply informed but never pedantic, this book shows how Wilder and his team turned Hollywood's midcentury crisis into film history.

A deft account of a Hollywood classic.

Pub Date: Aug. 12, 2025

ISBN: 9781538739297

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: April 16, 2025

Kirkus Reviews Issue: May 15, 2025

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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