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THE STEPMAN

First novel about a man who flees a floundering marriage in search of his past. Abner Minsky drifts into San Francisco during the later days of flower power and, after going through a number of girlfriends, falls in love with a painfully indecisive woman, Lora. Abner fancies himself a poet who, like the Beats he admires, sees all the world reflected in ordinary things. When he's admitted to graduate school in Upstate New York, Lora and her two children reluctantly follow him. The couple then have a child of their own and settle into an impoverished, artistic, but more or less middle-class existence, with the gentle Abner trying hard to be a good stepdad. After ten years, though, the marriage has turned into the bleakly ordinary, with Abner at last aware that being a poet in American doesn't pay much, and facing the realization that he also isn't much of a poet. Meanwhile, Lora has become a committed feminist, so that she's continually railing at Abner for being uncaring, a chauvinist, etc. Confused, angry, he goes back to California, where he does some hard physical work and reconnects with old friends now living in a commune and trying (more or less) to remain true to their hippie ways. Before long, Abner makes a pass at someone else's old lady and gets tossed from the commune. Driving back to New York and Lora, Abner, somewhat the wiser, reflects ruefully that he's a ``man whose personality is so cemented in its place that change is impossible. Consider that there may be no happy ending.'' Indeed. Enough time has passed that Margolis's portrait of flower power San Francisco is entertaining, and he writes lyrically about ordinary love, capturing the way relationships can be eaten up by pettiness. But Abner's odyssey is rendered here in a fashion so exceedingly mundane that many readers will find themselves unmoved by Abner and Lora's woes.

Pub Date: Nov. 1, 1996

ISBN: 1-877946-76-1

Page Count: 175

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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