Obviously destined for some high-decibel multiplex, this is a good page-turner with an appropriately colorful crew and...
A salty debut from the frozen North plots the uneven course by which seaman Henry Seine makes his way home from Alaska to the Puget Sound.
Seafaring tales (from Sebastian Junger’s nonfiction to Tom Clancy’s novels) often lean rather heavily on the nuts and bolts to such an extent that the machinery has more personality than the characters. Fortunately, Masiel’s protagonist is a full-bodied exception, though he certainly fits the classic strong, silent mold. A devoted husband of the old school, Henry spends six months of the year working tugboats and icebreakers in the frigid waters off the Alaskan coast so as to make the payments on his Washington State home. It’s a squalid life in many regards (just read the descriptions of how human waste is disposed of in subzero temperatures), but Henry is happy to put up with it—until he gets a Dear John letter from wife Heather, who tells him she’s fallen in love with another man. At that point Henry signs on with the next southbound craft he can find. Unfortunately, this turns out to be the Fearless, a filthy old pot skippered by a quasi-madman who makes Captain Bligh look like Olive Oyl. The Fearless capsizes during a gale, and Henry is narrowly rescued by clinging to the barge she was towing. The only survivor, he has the added good fortune of being plucked from the brine by beautiful Julia Lew, cook aboard the good ship Vigilant. Although they very quickly become lovers, Julia is too free a spirit to settle for one man. Besides, she and Henry soon find themselves in a race against time to rescue Louis Moneymaker, a scientist stranded on a rapidly melting icecap. Will help appear before the ice disappears?
Obviously destined for some high-decibel multiplex, this is a good page-turner with an appropriately colorful crew and perfect tempo.Pub Date: March 19, 2002
ISBN: 0-375-50606-3
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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