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SHADOW OVER BABYLON

Just the ticket for everybody still smarting from our ineffectual Gulf War victory: a Day of the Jackal-esque fantasy recounting an elaborate postwar plot to assassinate Saddam. A discreetly indirect overture from a government minister leads to security expert Ed Howard, a Special Boat Service veteran, who, agreeing to take on the job for a $10 million payoff, recruits a crack British team, from volatile Mideast expert Johnny Bourne to Scottish sniper Danny MacDonald. Bolstered by enviable inside information, meticulous planning, periodic bouts of restorative sex with brave, pliant women, and a list of supplies—including outsized stores of frozen peas, margarine, and an inflatable raft—Howard and Co. follow an ingenious blueprint to Saddam's birthday celebration in his hometown of Tikrit and dig in for the one shot they'll be allowed. Even as they're lining up the target in their crosshairs, though, trouble has already struck. John Kearwin, an eager beaver reconnaissance analyst in D.C., has picked up their trail via satellite recon and—courtesy of some Clancy-esque technological wizardry—traced them back to Britain and forward to Tikrit. After an initial abortive attempt to wipe out the assassins—because only Saddam can hold together the strong Iraq the US needs to balance Iranian power in the Mideast—the top dogs in Britain and America (a bunch of fictional bozos named George Bush, John Major, Brent Scowcroft, John Kelly, Robert Gates et al.) trade accusations and try to keep a step ahead of the plotters even as Kearwin and other underlings sentimentally cheer them on. British first-novelist Mason still has a few tricks up his decorated sleeve; you'll love the details of exactly what happens to Saddam, and the reaction to assassination rumors back in Baghdad, even if you guess the surprise saved for the very end. A good time is promised to everyone in the novel's huge, exasperated target audience. (Film rights to United Artists)

Pub Date: Nov. 16, 1993

ISBN: 0-525-93709-9

Page Count: 484

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1993

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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