The CIA pokes the Russian bear, and thriller fans win.
America and Russia don’t play nice in a tale that mixes spies, horses, and gold bullion.
Moscow X is a secret CIA operation designed to cause migraines for the Russian government, especially for Vladimir Putin. “Access to Putin’s money would give us beautiful opportunities for fuckery and general mayhem,” declares Artemis Aphrodite Procter, formerly the CIA’s Chief of Station in Tajikistan. Her hands already “wet with Russian blood,” she jumps at the chance to join Moscow X. At about the same time, Lieutenant Colonel Chernov of the Federal Security Service (FSB) illegally transfers 221 bars of gold from Bank Rossiya, although it’s theft on Putin’s behalf. “What is to be done when the police are robbing you?” wonders a bemused banker. Chernov demonstrates that “the law is nothing but ritual, it is a glorious gesture of subjugation to our leader.” Anyway, the gold belongs to Russia, which in turn belongs to God. Therefore, it’s God’s gold, so the “withdrawal” is ultimately legitimate. (Nice reasoning!) Putin has a financial stake in RusFarm, a Thoroughbred horse operation. Anna Agapova has deep ties to the Russian establishment, but she meets sub rosa with the CIA. She is a complex character who has troubled relationships with her husband and her country, but whether she becomes a traitor to her homeland remains to be seen. A nice detail: She carries a lipstick gun, the “Kiss of Death,” which plays an unexpected role in the story. The cast of well-developed characters also includes Hortensia “Sia” Fox, a “hot-shit NOC” (non-official cover) who wants a Russian scalp, and there are nasty villains like Anna’s husband. The story builds a bit slowly at first, but the tension grows as well. There’s a reference to overthrowing Putin, but that doesn’t seem like the point. Procter has it right that the best analogy for U.S.-Russia relations is of “two individuals punching each other in a fight without end.” Human life and horseflesh are at risk, and the blood that eventually flows won’t tilt the balance of power in either direction. The author researched his subject deeply, and it shows.
The CIA pokes the Russian bear, and thriller fans win.Pub Date: Oct. 3, 2023
ISBN: 9781324050759
Page Count: 432
Publisher: Norton
Review Posted Online: Aug. 10, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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