A funny, affecting novel about fragmented lives that slip the leash.
In Perlstein’s (Slick!, 2011) winsome fable, a protective dog and the therapeutic effects of stand-up comedy help heal a wounded family.
Abbie Greenbaum is a 25-year-old slacker in San Francisco who coasts through a life centered on desultory dog-walking gigs and a garage band. He still lives with his dad, Morty, an American studies professor who specializes in deep ruminations on TV comedy. Morty’s English bulldog, Brutus, who’s chief among Abbie’s canine charges, narrates their story with a stately aplomb befitting his advanced age and arthritic hips. Brutus so identifies with his masters that he considers himself a fellow Jew; in his own mind, he’s adopted the name Baruch and presides benignly over Morty’s frequent observances of Jewish memorial rituals. There’s a lot for Morty to mourn, as his daughter, Sara, and wife, Lenore, died years ago—a tragedy that overshadows his strained relationship with Abbie. Another girl named Sarah, a motor-mouthed 10-year-old with Down syndrome, bounces into Abbie’s dog-walking routine along with her mother, Rivka, a half-Jewish, half-Chinese professional stand-up comic. Over the course of the story, Abbie gets embroiled in a friend’s half-baked drug-dealing scheme, Morty comes down with lung cancer, and both become infatuated with Rivka, who prods Morty through her stand-up comedy class. Perlstein’s novel has some twee conceits that might have overwhelmed it, particularly the plummy, stentorian narrative voice of Brutus, who sounds like Henry James scoping out a nightclub (“Understanding my role as Abbie’s wingman—and aware of the attraction that an English Bulldog of my stature maintains for women of all ages—I gazed instead into the young Latina’s eyes as might Rudolph Valentino in the era of silent films”). Fortunately, the author’s gift for sharp, empathetic human characterizations rescues the proceedings. He steeps the story in well-observed renditions of West Coast Jewish culture, from homey dinner routines to the theory and practice of stand-up comedy, in which kvetching is the wellspring of artistic revelation. Perlstein offsets the shtick with psychological depth and nuance, keeping it charming throughout.
A funny, affecting novel about fragmented lives that slip the leash.Pub Date: Feb. 15, 2014
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Dec. 24, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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