by David Plante ‧ RELEASE DATE: May 1, 1994
Issues of faith and will are at the center of this meditative tale set in London, New York, and Moscow—a striking work in the author's signature style. Tall, dark Claire is a lapsed Catholic and survivor of her husband's suicide. Somehow she is not surprised when, while she's off with her lover for a weekend in the English countryside, her 16-year-old daughter back in London is raped. Claire tries to atone for her neglect by cutting off her own personal life in service of her daughter, Rachel; when the girl learns she is pregnant and decides to keep the child, Claire quietly arranges for a leave of absence from school, sets aside her own academic research on the works of a minor (and suicidal) Italian Renaissance artist, and devotes herself to instilling in her broken daughter the will to go on. Meanwhile, in New York, a melancholy young editor of art books, caught in a meaningless affair with a willful young Englishwoman and grieving over the suicide of his soulful Russian-American cousin, seeks distraction in an unexpected transfer to London. There he meets Claire and Rachel and, sensing that his vague but urgent search for meaning melds uniquely with theirs, agrees to go with them to Russia to seek out a long-lost painting of the Annunciation by Claire's Italian artist. Carefully as the protagonists plan their journey, events in chaotic Russia soon overwhelm them—until the sight of the painting, which takes place in near-miraculous circumstances, offers solutions to their lives they that never could have reached on their own. Plante's (The Accident, 1991, etc.) characters may be mere ciphers for the more multidimensional philosophical issues he seeks to explore—guilt and redemption, faith versus rationalism, will versus despair—but his ruminations remain so stimulating that a certain lack of credibility is beside the point. Excellent intellectual escapism, and classic Plante.
Pub Date: May 1, 1994
ISBN: 0-395-68091-3
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
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by David Plante
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by David Plante
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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