Rain is master of this inventive, operatic and at moments harrowing debut.

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THE HEAT OF THE SUN

A remarkable debut that reinvents, elaborates and extends into the late 20th century the story Puccini made famous in Madama Butterfly.

Woodley Sharpless—orphan, cripple, closeted homosexual—is a noted biographer. He guides us through the life story of Ben “Trouble” Pinkerton. Trouble is the apt name for a man who makes a scene on the periphery of history. Trouble is the only son of the Pinkertons. Sen. Pinkerton could have been president. Kate, his wife, is a Manville, daughter of a dynastic political family. This is Sharpless’ story as well. Trouble’s parents, well meaning, controlling and weary of publicity, enlist Sharpless as a minder for their wayward son. We think we know Trouble, the man who has everything, who refuses to grow up, who lives a life without consequences but is nonetheless given opportunities. This is the joke that’s no joke: We know “trouble,” can see it coming. Sharpless meets and falls for Trouble at Blaze, a boarding school. Trouble doesn’t last long but during his brief tenure, becomes many things to Sharpless: hero, love-object, obsession. Le Vol, another lifelong friend Sharpless makes at Blaze, reappears in the story, representing a vivid alternative to the life Sharpless leads in Trouble’s wake. Every part of the novel—from the names to the books the characters have in their pockets to the invented opera added to Puccini’s oeuvre—is considered, a calculated risk to draw attention to itself. The book might be called postmodern, but it never makes references to create ironic distance—on the contrary, every detail is in the service of the elaborate, operatic melodrama, the story within the story. A version of the ancient story of love and honor, and honor betrayed, it culminates at the Trinity A-bomb test, the characters, each in their own way, devastated.

Rain is master of this inventive, operatic and at moments harrowing debut.

Pub Date: Nov. 13, 2012

ISBN: 978-0-8050-9670-5

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Sept. 16, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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