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HALF EMPTY

An unsentimental comic depiction of our inability to recognize our own short-sided logic.

A collection of humorous—albeit pessimistic—essays on humankind's incalculable foibles.

“Positive emotions may, of course, relate to good things,” writes This American Life contributor Rakoff (Don’t Get Too Comfortable, 2005, etc.), “but there is no necessary relationship.” Throughout the book, the author hones in on this disconnect, debunking the myth of the power of positive thinking while arguing that “the bleak” (not the meek) will most likely inherit the earth. Rakoff manages to make pessimism sexy, whittling optimism into little more than an irresponsible fad, a modern opiate of the masses. While his first essay confronts this issue directly, the remaining pieces explore similar terrain. His subjects range from kosher diets and dying therapists to the author's own struggles with cancer. On occasion, Rakoff's work reads like off-the-cuff freestyle riffs, though most readers will trust him to return to his work's primary cause, even if he does so by the most circuitous route. The author regularly employs non-sequiturs as a literary technique, casting his arguments to the fringes of possibility before reeling them back in. His droll humor proves an asset when describing humankind's failures, allowing readers to roll their eyes while empathizing with the argument. After being ordered to read 2,000 manuscripts as part of his duties as the low man on the totem pole at a publishing house, he wearily admits, “They asked me to eat shit, and all I did was request a bigger spoon.” While Rakoff seems to revel in his role as a modern-day Thomas Hobbes, it’s evident that he remains responsible in his critique, never trouncing a subject without provocation while simultaneously opening the reader's eyes to everyday lunacy.

An unsentimental comic depiction of our inability to recognize our own short-sided logic.

Pub Date: Sept. 21, 2010

ISBN: 978-0-385-52524-4

Page Count: 240

Publisher: Doubleday

Review Posted Online: June 1, 2010

Kirkus Reviews Issue: June 15, 2010

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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