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EXTRA LIFE

COMING OF AGE IN CYBERSPACE

Bennahum’s debut is an autobiographical coming-of-age story, told eloquently through his relationship with computers. Bennahum, a contributing editor to Wired and Lingua Franca, digs through his memories of being an outsider throughout childhood, and details a fascination that began with his first Atari computer. The reflections are vivid and often provide cultural commentary on how the computer boom of the 1980s shaped a generation, and how kids— games like Space Invaders and Merlin broke the ground for today’s Internet age. Above all, Bennahum is an accomplished writer, both down-to-earth and inspiring, whether he’s describing the processes of a modem or the beguiling possibilities a child sees in an expansive white carpeted room. He consistently reaches into two of the most incomprehensible worlds (the mind of a computer and the mind of a little boy) and pulls out understandable and identifiable experiences. Bennahum is a storyteller for the kids who were born in the ’70s and grew up in the ’80s—the Atari generation. Adults nearing their 30s now who spent hours bootlegging software from BBSs, playing Pong and Breakout and comparing the merits of a Commodore 64 and a TRS-80 will find justification for and rejuvenation of their childhood fascination with those old boxy machines. Those who grew up alongside them will be rewarded with an insight into a cultural worldview that went largely unrecognized (and certainly unaccepted) because it belonged to kids, freethinkers, and crazy engineers. Just the sort of people Apple computers is applauding in their commercials today. In telling the story of the burgeoning computer culture, Bennahum winds up with a beautifully told story in which he comes to understand how his fascination with computers helped shape the way he thinks, the way he learns, and the way he copes. (Author tour)

Pub Date: Nov. 11, 1998

ISBN: 0-465-01235-3

Page Count: 248

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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