by David Schneider ‧ RELEASE DATE: Nov. 1, 1993
Religious history rings with tales of converted libertines- -Saul, St. Augustine, Thomas Merton among them. Now, thanks to this wonderfully uplifting biography by freelance journalist Schneider, to that list can be added Issan Dorsey—the thieving, doping, female-impersonating gay hooker who became abbot of one of the nation's top Zen monasteries. Born Thomas Dorsey, Jr., in 1933, the future abbot bloomed into his homosexuality as a teenager and moved to San Francisco, where he developed a nightclub drag-queen act—and a world-class drug habit to go with it. Here, we learn much about Dorsey's life from his own mouth—Schneider interviewed Dorsey extensively, as well as his friends, for this account: ``I loved barbiturates...I'd take them by mouth, or melt them down and shoot them. If I had tracks, I'd just put makeup on them,'' says Dorsey, who hit bottom in the early 60's in Chicago while living and robbing with a hooker/stripper/thief named Bang Bang La Toure. When Dorsey moved back to San Francisco, though, he encountered LSD—and spun into a psychedelic, then spiritual, direction, eventually landing on a balcony overlooking meditators at the city's Zen Center. Dorsey decided to join them—and never looked back, devoting himself to two Zen masters, including the controversial Richard Baker (Schneider examines the Baker-Dorsey relationship as a provocative case study in the master-disciple dynamic). In time, Dorsey became abbot of the Castro district's Hartford Street Zen Center, and it's clear from the numerous testimonies here that his earlier life instilled in him an astonishing tolerance and compassion for all—a trait that inspired him to open the city's celebrated Maitri Hospice, for AIDS patients. Never fully embracing celibacy, Dorsey himself contracted AIDS, dying in 1990. Not hagiographic—Schneider emphasizes that Dorsey remained mercurial until the end—but, still, angels weep as the abbot, his body ravaged but his dignity aglow, breathes his final breath. (Eight pages of photographs—some seen)
Pub Date: Nov. 1, 1993
ISBN: 0-87773-914-5
Page Count: 208
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1993
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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