by David Searcy ‧ RELEASE DATE: Jan. 5, 2016
Ultimately, meaning and mystery coexist in Searcy’s mind, and his offbeat, exciting writing will resonate with readers for...
A Texas essayist goes looking for meaning in all the right places.
The essays in this debut collection by Searcy, who previously published two novels of sci-fi horror (Last Things, 2002, etc.), suggest what might happen if Stephen King somehow morphed into David Foster Wallace. Though there are none of the latter’s signature footnotes, the author’s allusive and elusive writing seeks connections beneath the surface of appearance and the alternatives to conventional wisdom. His mother was an artist, as is his girlfriend, as is his late friend, and their work provides plenty of perspective on the creative impulse, which also permeates these essays. In the opening “The Hudson River School,” a visit to the dental hygienist inspires a visit to her father, a rancher in West Texas, who has been targeting a coyote (or more) that has been attacking his sheep, using a tape of their baby’s cries as a lure. “Out here, you probably need to know a lot more clearly what you’re doing,” writes Searcy. “How to situate yourself. You’ve got your basics here to deal with after all. Your wind, your emptiness, your animals, your house.” Clarity, emptiness, and whatever the basics are remain touchstones throughout these essays, whether the writer is exploring the lunar landscape of Enchanted Rock, touring Turkey in search of Santa Claus, trying to find meaning in his lack of connection with baseball, or rediscovering a piece by his late mother while rummaging through “twenty years of stuff diverted here. Not quite tossed out. You never know.” Searcy also spends plenty of time revisiting childhood experiences never quite resolved, snapshots and notebooks that provide a different perspective on the experience he’s relating, and occasionally discovering, “How cool and dark and clear it is, right here at the heart of things. How clearly things reveal themselves. Who knew?”
Ultimately, meaning and mystery coexist in Searcy’s mind, and his offbeat, exciting writing will resonate with readers for whom “you never know” and “who knew?” might be mantras.Pub Date: Jan. 5, 2016
ISBN: 978-0-8129-9394-3
Page Count: 240
Publisher: Random House
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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