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ORDINARY HORROR

Slow, even head-nodding at times, but common details take on an uncommon second life here.

Texan Searcy’s first novel eschews the usual gore and bloodletting of the horror genre, finding chills enough in the daily lights and sounds around the house.

Reclusive widower Frank Delabano, a retired high-school science teacher, lives in a tract house near the prairie’s edge and loves to grow roses (“little chimneys of the spirit”). Prairie gophers have dug holes all over his garden, so when Frank sees an ad for a South American plant that will rid him of such pests, he sends away for it. Soon, four big, dark-blue flowers have spread their stinking fibers underground, driving off the gophers. Naturally, there’s a price to pay. Superficially similar in subject matter to Stephen King’s The Plant, now in its third chapter on the Internet, this leisurely story has closer kinship to Henry James’s The Turn of the Screw, which it resembles both in pace and in deep ambiguity about just what happens. Searcy’s more gorgeous moments far outstrip King’s for sheer poetry, but blood-lusting fans may find his horror just too ordinary. Of the plot little can be said without giving away the author’s big payoff—and some readers may not grasp exactly what has happened in the last pages. If they do, they may still be confused about why it has happened. They are advised to recall Frank’s science background and invited to ponder whether a scientific explanation might trump a supernatural one. Searcy pulls off a nice fake-out involving a climactic backyard cookout, featuring mysterious events most readers will not recognize for what they actually were until the finale . . . if then.

Slow, even head-nodding at times, but common details take on an uncommon second life here.

Pub Date: Jan. 1, 2001

ISBN: 0-670-89476-1

Page Count: 224

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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