by David Shields ; Shane Salerno ‧ RELEASE DATE: Sept. 3, 2013
Was Salinger the major artist he has been held up to be? This book helps defend the affirmative response and whets the...
Overstuffed, thoroughly revealing biography—from oral and written sources, and always episodic—of the legendary writer.
The big news in Shields (How Literature Saved My Life, 2013, etc.) and Salerno’s book, the companion to Salerno’s documentary, has been the promise of several new books, completed and approved by Salinger, that will be issued between 2015 and 2020. One is a World War II story, and therein hangs another tale—and a long part of the present volume. Other biographers have noted how strong a part Salinger’s wartime experience played in his subsequent thought, but Shields and Salerno chase down the story in minute detail, including Salinger’s witness to the liberation of Nazi death camps and the psychological breakdown that ensued: “You never really get the smell of burning flesh out of your nose entirely, no matter how long you live.” As he went into combat at Normandy, we learn, Salinger carried six chapters of Catcher in the Rye—“not only as an amulet to help him survive,” Shields notes, “but as a reason to survive.” Catcher, Salinger’s most famous book, was of course autobiographical, and Shields and Salerno lend specific weight to just how and how much. They also link Salinger’s famous hermitage, beginning in the 1950s, not necessarily to a desire to flee fame so much as a fulfillment of the Vedanta ideals he had adopted as another kind of sanity-preserving talisman, in which withdrawal from and eventual renunciation of the world is necessary. No question but that Salinger was troubled—and, as the testimonial of former paramour Joyce Maynard and others has it, capable of cruel and creepy behavior. About the only drawback of Shields and Salerno’s book is their overly credulous reliance on other writers and their heavy-handedness in piling on the heaps of negativity (some deserved) about Maynard and her ambitions.
Was Salinger the major artist he has been held up to be? This book helps defend the affirmative response and whets the appetite for the Salinger books to come.Pub Date: Sept. 3, 2013
ISBN: 978-1-4767-4483-4
Page Count: 720
Publisher: Simon & Schuster
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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