by David Shields ‧ RELEASE DATE: April 12, 2022
Revenge is a dish best served with helpless laughter. Totally deadpan and irresistibly hilarious.
A montage of all the questions the author has been asked in the last 40 years.
Like Reality Hunger—his mashup of numbered paragraphs, mostly unattributed and lacking contextual background, pulled largely from other sources—this book is a delightful and utterly Shields-ian work. According to the jacket description, the author gathered every interview he’s ever given and transcribed every question asked, ignoring his own answers. His collage of these questions creates an absolutely hilarious takedown of the interview process, of his own public persona, and of the journalists themselves, blessedly anonymous, who asked some of the most outrageously mean, out-there, self-important, stupid, and simply impossible questions imaginable—and then doubled down with prodding follow-ups. Organized into brief chapters ("Childhood," "Envy," "Jewishness, "Suicide," etc.), this theater of the absurd derives its humor from questions like these: "Can you define ‘truth’—preferably in one good long paragraph?" "You have only one child—is there a cruelty involved in such a decision?" "Are you competitive at all with your daughter (whose graphic memoir I've read and like at least as much as anything you've done of late)?" "Seriously then: How do you get through the day if you ‘know’ life is utterly bereft of purpose?" "Do you still think that, very briefly, in the early-to-mid-1980s, David Letterman was actually quite interesting?" "Do you feel like a tertiary character in a Henry James novella?" "Is the overexamined life worth living?" (Follow-up: "By which I guess I mean, you've analyzed your life to death, but will you have lived your life at all prior to your death?") "So—not to put too fine a point on it—has it been an utterly wasted life?" "Were you disappointed that some of the critics didn't pick up on the humor?" Not this time.
Revenge is a dish best served with helpless laughter. Totally deadpan and irresistibly hilarious.Pub Date: April 12, 2022
ISBN: 978-1-68137-642-4
Page Count: 164
Publisher: New York Review Books
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Elyse Myers ; illustrated by Elyse Myers ‧ RELEASE DATE: Oct. 28, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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