Wheatley’s poetry comes into sharper focus, but Wheatley herself remains elusive.
by David Waldstreicher ‧ RELEASE DATE: March 7, 2023
A biography of the Phillis Wheatley focused on her poetry and the politics of Revolutionary-era America.
Waldstreicher, a history professor and author of Slavery’s Constitution and Runaway America, documents Wheatley’s arrival in Boston on the slave ship Phillis, her purchase by Susanna Wheatley in 1761, her storied writing career, and her life after emancipation. The author’s primary focus, however, is Wheatley’s work, about which he offers many intriguing insights. This book, he writes, is “a joint exercise in history and literary criticism.” Waldstreicher argues that Wheatley gave “subversive and productive meanings” to her classical and neoclassical-inspired poetry, becoming both a “political actor and an artist of quality and note” in the 18th-century world she inhabited, a world marked by the “abominable hypocrisy” of American slave owners who likened their oppression by Britain to slavery. For those familiar only with Wheatley’s often anthologized “On Being Brought From Africa to America,” the breadth and depth of her poetry will be a revelation, as will her correspondence with Samson Occom and George Washington; her intimate, lifelong friendship with Obour Tanner, an enslaved woman in Newport, Rhode Island; and the details of Wheatley’s trip with her enslaver’s son to London, where she stayed for six weeks in 1763. The attention that Waldstreicher pays to the complexity of Wheatley’s identities as an African, a woman, and an enslaved person (among other identities) in his close readings of her poetry is sometimes missing from his discussion of her life. Questions like how much control Wheatley had over her own literary productions and their circulation while she was enslaved remain largely unasked. Given his focus on the political contexts and meanings of Wheatley’s work, Waldstreicher leaves room for future biographers to further examine Wheatley’s life as she became the “most famous African in North America and Europe during the era of the American Revolution.”
Wheatley’s poetry comes into sharper focus, but Wheatley herself remains elusive.Pub Date: March 7, 2023
ISBN: 9780809098248
Page Count: 496
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 9, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Categories: HISTORY | BIOGRAPHY & MEMOIR | UNITED STATES | GENERAL BIOGRAPHY & MEMOIR | HISTORICAL & MILITARY | AFRICAN AMERICAN
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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More About This Book
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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More by Elie Wiesel
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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