A quick pull on a reliable, if not exactly minty-fresh, formula.
Walliams drills into a primal fear with this tale of a new dentist with a decidedly evil agenda.
In a blatant grab at Roald Dahl fans, the author pulls out a cast of cheeky children, thoroughly rotten villains, and clueless but well-meaning grown-ups for a Brit-flavored romp that combines moments of intense terror and bracing courage with biting satire—oh, and gruesome bits. Ross offers a plethora of loosely sketched ink-and-wash vignettes generally indistinguishable from Quentin Blake’s. All over town, children have been putting lost teeth beneath their pillows and, instead of money, getting cat poo, oozing scabs, and like rewards. Worse yet, following shocked comments about the state of 12-year-old Alfie’s “teet,” canny Winnie, a flamboyant new West Indian social worker, tricks the lad into visiting the newly arrived (with her cat, Fang) dentist, Miss Root. Alfie regains consciousness with nary a tooth in his mouth—it seems that Miss Root is the Tooth Witch herself. She’s not to be stopped, either, without help from new, dreadlocked friend (not girlfriend) Gabz, a vat of acid with revolting ingredients (carefully listed), and lots of dynamite. Walliams spritzes the narrative with made-up but not particularly inventive words and large-type screaming. Winnie, dark-skinned Gabz (short for Gabriella), and newsagent Raj are the only notable nonwhite characters; Winnie’s accent is an unfortunate running joke.
A quick pull on a reliable, if not exactly minty-fresh, formula. (pictorial cast list) (Horror. 9-11)Pub Date: March 1, 2016
ISBN: 978-0-06-241704-6
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Simplistic, but a straight shot on goal.
Despite poor first impressions, an aggressive new student earns a spot as goalkeeper on the local soccer team.
Loud, pushy new arrival Shane definitely seems to come with an attitude problem in this simple tale, told from the perspective of one of Shane’s teammates and originally published in 2021 in the U.K. A few days later, however, the source of the chip on his shoulder becomes clear when the North Park Juniors take the pitch. When Shane shows up to play, his bossy, verbally abusive stepfather, Mick, is in tow, screaming orders and insults from the sidelines. The story, which is printed with what the publisher calls “dyslexia-friendly fonts and paper tones,” is laid out with extra spacing between the short sentences and paragraphs. The author also takes multiple breaks to examine historical feats and foibles of renowned goalies of the past. The plot goes on to follow a fairly direct course. After the police haul Mick away in the wake of a chair-throwing tantrum, a more emotionally stable Shane shows up the following weekend to perform heroic exploits in a hard-fought climactic match. Physical descriptions in the text are minimal; young players and adults in Chalik’s frequent illustrations are woodenly drawn but feature a mix of light- and dark-skinned faces.
Simplistic, but a straight shot on goal. (Fiction. 9-11)Pub Date: April 2, 2024
ISBN: 9781454954842
Page Count: 80
Publisher: Union Square Kids
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
Opens as standard living-with-disability tale, grows into a heartwarming story about a community discovering activism.
When Ava’s only friend moves away, anxiety makes finding a new social circle daunting.
Ava’s best friend, Zelia, has always been her prop and support. It’s tough being an 11-year-old with a pacemaker; the noncompaction cardiomyopathy she was born with (Ava had heart surgery when she was only 4) combines with intense anxiety to leave Ava self-loathing and socially isolated. Her dad teaches cotillion classes for sixth graders, and Ava, like her older brothers before her, is required to attend, to dance, and to make excruciating small talk. A girl in class invites her to an improv group, and Ava reluctantly agrees. To her shock, improv, which celebrates failure, is amazing for her anxiety. But the improv theater and the waterfront where it’s located are under threat from pricey real estate developers. Saving the area from gentrification will require a committed activist, though, and Ava can barely speak in public. Cotillion and improv give Ava tool sets to use to live with anxiety, and the cause gives her a motivation. The conclusion is optimistically uncomplicated, but in a story that successfully explores the complexities of chronic illness mixed with mental illness, the comfort is welcome. Ava is biracial, Japanese American and white, and lives in a diverse community; the vice principal and Ava’s therapist are black, and the mean real estate developer is almost stereotypically white.
Opens as standard living-with-disability tale, grows into a heartwarming story about a community discovering activism. (author’s note, improv games) (Fiction. 9-11)Pub Date: June 9, 2020
ISBN: 978-0-06-280349-8
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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