Disorganized in a way that’s intended to be appealing, though its combination of humanity and idea never quite melds.
Short moral debut novel about one man’s jaunts through an anti-Pittsburgh so close to an underground that it feels futuristic.
Ray has eschewed the academic set for a more focused and intimate association with real life: he helps clients from a Blind Center learn to use the bus system to get around in a cautionary urbanscape, as if he were “a transgender Dorothy leading his benighted band through this Oz of mundane reality.” As we move through this hectic, bleary world, we also move through Ray’s life, visiting his mother, hearing of his ex-wife, Arlene, occupying a kind of alter-city based on bus schedules and the unique topography of Pittsburgh, PA. Although the story begins on this interesting terrain, it soon executes a bus’s awkward three-point turn back to familiar territory: the adventures of writing instructors at the University of Pittsburgh, where Walton (stories: Waiting in Line, not reviewed) teaches. This puts it into the same category as Michael Chabon’s Wonder Boys and, less directly, Chuck Kinder’s Honeymooners, though it isn’t quite as successful as either. Ray is soon attending parties of Pitt writing instructors, engaging in random sexual encounters with ex-colleagues of his ex-wife, having adventures not quite in keeping with what seemed to have gotten the book’s bus rolling in the first place. The vision is admirable, but Ray’s near obsession with bus schedules and routine stands in stark contrast to the overall structure of the narrative, whose ride is far more runaway and frenetic. The many references to Pittsburgh may become tiresome—unrecognizable to some, and an already-mined wellspring to others—but the final message is genuine: “ . . . all our journeys are chancy, but the intention to do good, like the intention to sin, is equal to the deed.”
Disorganized in a way that’s intended to be appealing, though its combination of humanity and idea never quite melds.Pub Date: Oct. 31, 2002
ISBN: 0-88748-377-1
Page Count: 200
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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