A provocative, enlightening, humorous, and impressively executed guide to Amsterdam’s twilight world.

AMSTERDAM EXPOSED

AN AMERICAN'S JOURNEY INTO THE RED LIGHT DISTRICT

A memoir chronicling the education of a naïve American law school exchange student in Amsterdam in the late 1990s.

In a book that the author describes as part tragicomedy, part “survival guide,” Hollywood entertainment attorney Wienir (Making It on Broadway, 2004, etc.) chronicles his experiences during his third year at the University of California, Berkeley, law school, during which he moved to the Netherlands for a four-month semester. Although the purpose of his sojourn was to get legal experience abroad, Wienir also had intentions to write a book about Amsterdam’s notorious red-light district. He was hoping to dispel widespread misconceptions about it and offer a closer look into the area and its workers. After several weeks of culture shock, he learned a lot more than just the Dutch language. The wonderfully curious author describes the city as a “wonderland” of cannabis coffee shops, bicycle culture, and historical regions. He offers accounts of his adventures attempting to chat up sex workers for his book project (most rejected his offer) and excitedly befriending new drinking buddies. But he also offers astute observations, opinions, and an insider’s perspective on Amsterdam’s city-sanctioned prostitution. He brings his stories of sex workers—such as Emma, with whom he became emotionally connected—to vivid life with recollections of impassioned conversation and well-meaning friendship, and the overall tone never lapses into pity or judgment. Overall, Wienir is a delightfully frank tour guide, uniquely describing the district (including its 10 unspoken “commandments”) and drawing readers deep inside its sexy, neon-lit world. However, this book is not for the timid; the author doesn’t skimp on the details of his subjects’ professional escapades, nor does he underplay the emotional impact of his time in Amsterdam.

A provocative, enlightening, humorous, and impressively executed guide to Amsterdam’s twilight world.

Pub Date: May 1, 2018

ISBN: 978-0-9993559-0-9

Page Count: 203

Publisher: De Wallen Press

Review Posted Online: Jan. 29, 2018

Kirkus Reviews Issue: March 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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