An intriguing medical tale hampered by uneven prose.
An SF thriller focuses on a world where clones thrive and a new vaccine promises possible immortality.
Dr. Avicenna “Avit” Arceneaux is a young pathologist working on the Panacea vaccine, which will be distributed worldwide. As the rollout is about to start, Arceneaux and his assistant, Mathieu Boden, perform an autopsy on a corpse with a strange condition—the person died by rotting from the inside out. Surgeon General Story Patout, who is in charge of the vaccine project, begins an experiment on Arceneaux and hospital administrator Sister Lazare, both clones, to see if he can mutate them into a higher form. Arceneaux participates against his will, and as the experiment starts to affect him, pandemonium breaks loose. The Panacea vaccine turns out to contain a plague that kills millions around the globe. This was Patout’s plan all along. Arceneaux was “harvested” as a child, meaning his organs were taken to save his brother, Roby, leaving the pathologist scarred and seeing the world through prosthetic eyes. The experiment heals Arceneaux, giving him human eyes and long hair, which makes him look feminine. He uses this disguise to stay in the hospital, posing as the sister of a doctor named Elise Casaubon, and avoid Patout, who wants to harvest him again for antibodies. This sets up a battle pitting Arceneaux, Lazare, and Elise against Patout, Roby, and Elise’s sleazy husband, Richard, to end the surgeon general’s programs for the good of humankind. The novel has the bones of a captivating SF adventure, offering rich details and a remarkable protagonist. But the story feels convoluted, and there are a lot of helpful coincidences, such as Arceneaux’s looking feminine after the experiment takes hold. There is no thorough explanation for that, though it makes much of the following action possible. Unfortunately, the villains are cartoonish. Patout at one point explains that he was actually trying to help humanity by killing a large percentage of the population, reducing the strain on global resources. But there is no sense of what would drive him to such a monstrous deed. In addition, awkward prose hinders the narrative, as when Crouch writes of Arceneaux: “Anxiety broke over him like a red flag surf in the Gulf.” And instead of telling readers Roby has a trademark sneer, the author writes: “He sneered and it was a trademark.”
An intriguing medical tale hampered by uneven prose.Pub Date: July 28, 2020
ISBN: 979-8-63-927580-7
Page Count: 312
Publisher: Self
Review Posted Online: April 18, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
All the narrative propulsion of escapist fiction without the escape.
Paced like a prophetic thriller, this novel suggests that "pandemic" is a continuing series.
Shepard has frequently employed research as a foundation for his literary creations, but never before in such pulse-racing fashion. He's set this narrative in the near future, when the threat of Covid-19 has passed but provides a cautionary lesson. And what have we learned from it? Not enough, apparently, as an outbreak within an extremely isolated settlement of Greenland begins its viral spread around the globe. Readers will find themselves in territory that feels eerily familiar—panic, politics, uncertainty, fear, a resistance to quarantine, an overload of media noise—as Shepard's command of tone never lets the tension ease. Eleven-year-old Aleq somehow survives the initial outbreak, which takes the lives of everyone close to him, and he may provide the key to some resolution if anyone can get him to talk. The novel follows the boy and the pandemic from Greenland to a laboratory facility in Montana as, in little more than a month, the virus or whatever it is, spread by touching, traveling, breathing, has infected some 14 million around the world. Jeannine Dziri and Danice Torrone, a pair of young researchers from the Centers for Disease Control and Prevention who have dubbed themselves the “Junior Certain Death Squad,” find themselves on the front lines as they attempt to balance personal relationships (which occasionally read like plot contrivances) with all-consuming professional responsibilities. Meanwhile, the pandemic proceeds relentlessly. “APOCALYPSE II?” screams a Fox graphic amid “the social media cacophony,” as mass hysteria shows how human nature can take a horrible situation and make it so much worse. And though the novel builds to a sort of redemption, it suggests that there will be no resolution to the current pandemic beyond nervous anticipation toward the ones to come. Channeling Pasteur, Shepard promises—or threatens—“It will always be the microbes that have the last word.”
All the narrative propulsion of escapist fiction without the escape.Pub Date: May 18, 2021
ISBN: 978-0-525-65545-9
Page Count: 256
Publisher: Knopf
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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