Delightfully quirky vignettes that offer lighthearted approaches to everyday problems.
A set of brief dispatches lampooning some of life’s foibles.
The 21 short sketches in Davis’ idiosyncratic assemblage present a comedy of errors, often arising from simple, everyday occurrences. The scenarios portray the confusion and misdirection that occur when bickering spouses pack the car for a family camping trip or 21 steps to teeth whitening that involve bleach and airplane glue, among other situations. Readers who field endless emails and messages at a home office will appreciate the devilish candor of “Working From Home”—a piece in which juggling work and family obligations tends to resemble a frenzied circus. The hilarious title story is also the book’s lengthiest; it showcases a whimsical, playful conversation between a rather oblivious, if omnipresent, tea-slurping God and an obedient angel named Bates who, in pages of banter, works hard to make his boss look good. The book’s ability to laugh at life’s woes is its best quality; a section on “The Ten Most Common Medical Complaints of the Middle-Aged Woman,” for instance, offers a chuckle about the aging process. Davis effortlessly sends up the serious business of demonic possession in “Exorcisms ‘R’ Us” and a convoluted itinerary for a “Six-Day Guided Tour of Rome” with a wink and a smirk. One of the pieces here wouldn’t be surprising as a startup idea: a timeshare program that rents out house cats of varying personalities and temperaments by the week or the month. Overall, the material is of consistently high quality, ranging from silly and fanciful to laugh-out-loud hilarious, and may appeal to readers young and old. Ireland’s cute, black-and-white line drawings sprinkled throughout depict scenes from the stories and embellish this breezy work.
Delightfully quirky vignettes that offer lighthearted approaches to everyday problems.Pub Date: June 29, 2022
ISBN: 978-1-03-914603-7
Page Count: 102
Publisher: FriesenPress
Review Posted Online: Sept. 21, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.
A grandmaster of the hard-boiled crime genre shifts gears to spin bittersweet and, at times, bizarre tales about bruised, sensitive souls in love and trouble.
In one of the 17 stories that make up this collection, a supporting character says: “People are so afraid of dying that they don’t even live the little bit of life they have.” She casually drops this gnomic observation as a way of breaking down a lead character’s resistance to smoking a cigarette. But her aphorism could apply to almost all the eponymous awkward Black men examined with dry wit and deep empathy by the versatile and prolific Mosley, who takes one of his occasional departures from detective fiction to illuminate the many ways Black men confound society’s expectations and even perplex themselves. There is, for instance, Rufus Coombs, the mailroom messenger in “Pet Fly,” who connects more easily with household pests than he does with the women who work in his building. Or Albert Roundhouse, of “Almost Alyce,” who loses the love of his life and falls into a welter of alcohol, vagrancy, and, ultimately, enlightenment. Perhaps most alienated of all is Michael Trey in “Between Storms,” who locks himself in his New York City apartment after being traumatized by a major storm and finds himself taken by the outside world as a prophet—not of doom, but, maybe, peace? Not all these awkward types are hapless or benign: The short, shy surgeon in “Cut, Cut, Cut” turns out to be something like a mad scientist out of H.G. Wells while “Showdown on the Hudson” is a saga about an authentic Black cowboy from Texas who’s not exactly a perfect fit for New York City but is soon compelled to do the right thing, Western-style. The tough-minded and tenderly observant Mosley style remains constant throughout these stories even as they display varied approaches from the gothic to the surreal.
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.Pub Date: Sept. 15, 2020
ISBN: 978-0-8021-4956-5
Page Count: 336
Publisher: Grove
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
