Delightfully quirky vignettes that offer lighthearted approaches to everyday problems.
A set of brief dispatches lampooning some of life’s foibles.
The 21 short sketches in Davis’ idiosyncratic assemblage present a comedy of errors, often arising from simple, everyday occurrences. The scenarios portray the confusion and misdirection that occur when bickering spouses pack the car for a family camping trip or 21 steps to teeth whitening that involve bleach and airplane glue, among other situations. Readers who field endless emails and messages at a home office will appreciate the devilish candor of “Working From Home”—a piece in which juggling work and family obligations tends to resemble a frenzied circus. The hilarious title story is also the book’s lengthiest; it showcases a whimsical, playful conversation between a rather oblivious, if omnipresent, tea-slurping God and an obedient angel named Bates who, in pages of banter, works hard to make his boss look good. The book’s ability to laugh at life’s woes is its best quality; a section on “The Ten Most Common Medical Complaints of the Middle-Aged Woman,” for instance, offers a chuckle about the aging process. Davis effortlessly sends up the serious business of demonic possession in “Exorcisms ‘R’ Us” and a convoluted itinerary for a “Six-Day Guided Tour of Rome” with a wink and a smirk. One of the pieces here wouldn’t be surprising as a startup idea: a timeshare program that rents out house cats of varying personalities and temperaments by the week or the month. Overall, the material is of consistently high quality, ranging from silly and fanciful to laugh-out-loud hilarious, and may appeal to readers young and old. Ireland’s cute, black-and-white line drawings sprinkled throughout depict scenes from the stories and embellish this breezy work.
Delightfully quirky vignettes that offer lighthearted approaches to everyday problems.Pub Date: June 29, 2022
ISBN: 978-1-03-914603-7
Page Count: 102
Publisher: FriesenPress
Review Posted Online: Sept. 21, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Misogyny, classism, colorism, hypocrisy: begone! A fierce, fabulous, and very funny truth-teller cometh to take you down.
A rollicking satire of Black megachurch culture featuring an irresistible fireball of a protagonist.
Philyaw follows a much-lauded story collection, The Secret Lives of Church Ladies (2020), with a debut novel that reads as if she’s channeling the authentic voice of the biggest, baddest, most profoundly un-churchy church lady of all time. Married to Pastor David Freeman, Scharisse Freeman is the first lady of the 25,000-member Hope in Christ Baptist Church, a spiritual and business empire headquartered in Belleton, Georgia. We meet her backstage at the First Lady USA Pageant, an event she has been shut out of for years due to her rough background, the daughter of a teen mother who died young with no connection to the hierarchy of church lineage, a “rags-to-Rolex story,” as she puts it. And though a first lady is meant to epitomize the model of feminine subservience described in Proverbs 31, a Bible passage included at the front for the uninitiated, Scharisse could not be less interested in getting up while it is still night and preparing food or selecting wool and working with eager hands. She is a self-described “brand whore” and fashion diva who sees her wifely duty as keeping Pastor David busy in the bedroom and attending to the needs of her moody, hypercritical teenage daughter, Gabrielle. Yet this iconoclasm is belied by a burning need to win the approval of the holier-than-thou first lady clique, a project made even more difficult by secrets and scandals that erupt during the year leading up to the pageant. Scharisse is an irresistible character, more Prometheus than Proverbs 31, and readers will be rooting for her every step of the way, even as some of those steps are clearly faux pas. Philyaw’s vibrantly voicey tale will appeal to both insiders and outsiders of the culture it describes, a Crazy Rich Asians–style visit to a rarefied realm, but with much more hot sex. At 40, Scharisse is a woman deeply in touch with her physical needs. By the time she takes the stage at First Lady USA, she is also in touch with her soul.
Misogyny, classism, colorism, hypocrisy: begone! A fierce, fabulous, and very funny truth-teller cometh to take you down.Pub Date: Sept. 29, 2026
ISBN: 9780063383074
Page Count: 416
Publisher: Mariner Books
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PROFILES
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.
A grandmaster of the hard-boiled crime genre shifts gears to spin bittersweet and, at times, bizarre tales about bruised, sensitive souls in love and trouble.
In one of the 17 stories that make up this collection, a supporting character says: “People are so afraid of dying that they don’t even live the little bit of life they have.” She casually drops this gnomic observation as a way of breaking down a lead character’s resistance to smoking a cigarette. But her aphorism could apply to almost all the eponymous awkward Black men examined with dry wit and deep empathy by the versatile and prolific Mosley, who takes one of his occasional departures from detective fiction to illuminate the many ways Black men confound society’s expectations and even perplex themselves. There is, for instance, Rufus Coombs, the mailroom messenger in “Pet Fly,” who connects more easily with household pests than he does with the women who work in his building. Or Albert Roundhouse, of “Almost Alyce,” who loses the love of his life and falls into a welter of alcohol, vagrancy, and, ultimately, enlightenment. Perhaps most alienated of all is Michael Trey in “Between Storms,” who locks himself in his New York City apartment after being traumatized by a major storm and finds himself taken by the outside world as a prophet—not of doom, but, maybe, peace? Not all these awkward types are hapless or benign: The short, shy surgeon in “Cut, Cut, Cut” turns out to be something like a mad scientist out of H.G. Wells while “Showdown on the Hudson” is a saga about an authentic Black cowboy from Texas who’s not exactly a perfect fit for New York City but is soon compelled to do the right thing, Western-style. The tough-minded and tenderly observant Mosley style remains constant throughout these stories even as they display varied approaches from the gothic to the surreal.
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.Pub Date: Sept. 15, 2020
ISBN: 978-0-8021-4956-5
Page Count: 336
Publisher: Grove
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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