An often engaging novel with a touch of magic, hampered by a problematic trope at its center.
In this third book in her Tower Room fantasy series, Davis (Falling, 2017, etc.) takes her Canadian protagonist from 1920s Toronto to 1850s Buffalo, New York, right in the middle of an Underground Railroad escape.
It’s 1929, and Dilys Frank feels exhausted and spiritually empty. Once a nurse for Toronto General Hospital, she now lazily keeps the doors open at the unlicensed Makeshift Pharmacy on behalf of her father, Gus Frank, a gambling photographer, con artist, and thief. Her stress about her father’s shady activities is exacerbated by the recent loss of her baby daughter, Pearl, who was born out of wedlock and lived only a few short weeks. When Gus invites her to his home to show her evidence of his previous time travel, Dilys is skeptical and angry. But when she snoops around the magical tower room, it takes her on her own adventure—landing her in Buffalo in 1850. Once there, she meets Caleb Breneman, a kindly Quaker who needs a nurse to attend a wounded child whom he’s helping along the Underground Railroad. She quickly discovers that she’s not a slave, but the disguised white daughter of a plantation owner named Caroline, who fled with her young friend, a slave named Jackson. When Caroline’s father comes to town, the need to secret the children away to Canada becomes more urgent. Over the course of the novel, Davis presents a story that’s well written, well researched, and features an intriguing central conflict. Although this installment in the series may easily be read as a stand-alone novel, readers will get helpful context if they start from the beginning; the time-travel device, for example, ties the overarching story together, but it’s hardly explained here. Also, some readers may find the white-savior narrative structure, which puts Dilys at the heart of a slave-rescue story, to be distasteful. Overall, though, the novel does effectively manage to bring some historical injustices to light.
An often engaging novel with a touch of magic, hampered by a problematic trope at its center.Pub Date: Oct. 24, 2019
ISBN: 978-1-5255-5526-8
Page Count: 312
Publisher: FriesenPress
Review Posted Online: Dec. 19, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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