This offbeat take on time-hopping stories begins slowly but finds momentum in memorable characterization.
Davis follows up Little by Little (2019) with the final installment in her Tower Room series, featuring two industrious tweens determined to complete a mission.
The Tower Room is a magical space in a house in Toronto that allows certain people to be transported back in time under the guidance of a man named Leo. In the previous book, an 11-year-old named Charlotte Lisa Hansen, Leo’s granddaughter, was one of those people. She and her pal, Henry Jacobs, journeyed back to 1939 to the childhood of a woman named Gwendolyn MacFarlane, and made sure that she didn’t come into possession of a brooch called the Tree of Life. In this work, the year is 1999 and although Charlotte and Henry are still young, Gwendolyn is a rather well-to-do, snobbish 71-year-old who’s led an unhappy, self-involved life. Gwendolyn accompanies Charlotte and Henry on a trip to London, although the elder woman doesn’t particularly like minding children (especially Charlotte) and isn’t fond of most people in general (although she has a fondness for Henry). As an example of her haughty ways, she purchases two first-class tickets for herself for the trip “thereby eliminating the possibility” of talking to a stranger. The trio are set to meet a woman named Sarah Nyman, who now runs a theater school for kids and who played a key role in Gwendolyn’s childhood; Sarah was also in a relationship with Gwendolyn’s brother, Charlie, a Royal Air Force pilot who died in World War II. The trip will be an opportunity for Gwendolyn to confront aspects of her past that she may not even realize are still bothering her. And, naturally, there will be plenty to keep Charlotte and Henry busy.
This combination of knowledgeable children and a snooty curmudgeon makes for some humorous interactions. As strange and serious as the set-up may be, the story features plenty of humor, as when Henry points out that his parents seem to “like the idea of having a child in the abstract,” or when Gwendolyn’s stuck-up nature is illustrated by details such as her holding her teacup “at a precarious angle while she viewed the birds, chipmunks, and late blooming dahlias with a sense of superiority.” The main plot, however, takes some time to develop; early pages are spent with Henry’s parents discussing with Gwendolyn and others whether Henry should make the trip to England at all; this doesn’t do much to ignite an interest in the journey to come, despite the lively banter. Nevertheless, the characters are distinct and likable, with turns of phrase that quickly gives readers a sense of each individual, as when young Charlotte explains how she doesn’t require much sleep, which “makes things difficult for the people around me, but they simply must learn how to cope.” Much of the book’s appeal lies in following Gwendolyn’s emotional journey and finding out what, if anything, she will learn about herself in the end.
This offbeat take on time-hopping stories begins slowly but finds momentum in memorable characterization.Pub Date: Oct. 24, 2023
ISBN: 9781039192133
Page Count: 372
Publisher: FriesenPress
Review Posted Online: Feb. 2, 2024
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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