by Dawn Raffel ‧ RELEASE DATE: Aug. 1, 2018
The book’s title is no hype; this is a startling account of an improbable huckster who made his living promoting a...
A shocking and bizarre history of premature infant care in America.
Editor and journalist Raffel (The Secret Life of Objects, 2012, etc.) tells her story mostly as a biography of an implausible character, Martin Couney (1870-1950), whose claim to being a physician could not be verified. Premature infants are unable to maintain a normal temperature and may become too weak to eat. This was no secret, and by the end of the 19th century, inventive physicians, especially in France, had produced primitive containers designed to keep them warm. At the time, hospitals mostly served the poor, and doctors worked alone. Neither wanted these expensive new devices, so inventors promoted them in international exhibitions or as commercial entertainment. “At the Infant Incubator Charity at No. 26, Boulevard Poissonière,” writes the author, “Parisians paid fifteen centimes to see babies described by a reporter as ‘just big enough to put in your pocket.’ That same reporter stated that ‘like the bearded lady in the circus,’ the show was worth the price.” Raffel introduces her subject as a young promoter who secured London rights for Queen Victoria’s 1897 Diamond Jubilee. After a profitable run, he sailed to the United States, where he operated preemie exhibits in fairgrounds and international exhibitions, with a permanent facility in Coney Island. In 1943, Couney’s final year of operation, Cornell Hospital opened New York’s first neonatal unit. Many readers will share Raffel’s admiration of Couney, who never charged patients and paid obsessive attention to diet and hygiene (unfortunately, rivals were not so attentive). Survivors loved him, and while some physicians denounced the commercialization of his project, others approved, and he is considered a founder of American neonatology.
The book’s title is no hype; this is a startling account of an improbable huckster who made his living promoting a lifesaving device.Pub Date: Aug. 1, 2018
ISBN: 978-0-399-17574-9
Page Count: 304
Publisher: Blue Rider Press
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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