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JACKIE

An elegiac and meticulously crafted ode to a still somewhat mysterious figure.

An ethereal novel imagines the interior life of Jackie Kennedy from the time she met Jack, her husband-to-be, to her death.

After beginning with the horrifying scene of President Kennedy’s assassination in 1963, the novel backtracks to 1951, when Jack is a congressman from Massachusetts and Jackie is about to spend a summer in Europe with her sister before taking a job at Vogue. It follows them year by year, homing in on significant scenes from each, moving through their complicated courtship, early marriage, the birth of two children and the loss of two others, the presidency, the assassination and its aftermath, Jackie’s marriage to Aristotle Onassis, her work as an editor in New York, and her cancer diagnosis. The novel is mostly narrated in the present tense by Jackie, with occasional interludes reflecting Jack’s thoughts about her and their relationship, which is perpetually roiled by his affairs. Tripp, who appends an extensive bibliography, has clearly done her research and integrates it seamlessly into the novel, which comes across as sympathetic to Jackie but not cloyingly so. The presidential years are the least compelling with Jackie as the protagonist; it’s hard for thoughts about refurnishing the White House to compete with the drama of the space race and the Cuban missile crisis. For better or worse, she comes into her own after the death of the president, as she makes an escape from the role of icon to her messy marriage to Onassis and a satisfying life as an editor. If the novel sometimes drifts into cliche—Jackie dreamily sees Jack as “six feet of casual stardust,” for instance—it’s redeemed by the close, intelligent, and not always generous attention that Jackie, often forced into the role of passive observer, pays to those around her.

An elegiac and meticulously crafted ode to a still somewhat mysterious figure.

Pub Date: June 18, 2024

ISBN: 9780812997217

Page Count: 496

Publisher: Random House

Review Posted Online: April 19, 2024

Kirkus Reviews Issue: May 15, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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HOLLYWOOD, ENDING

A classic Green portrait of young love…but here the fault is in our social media.

A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.

“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?

A classic Green portrait of young love…but here the fault is in our social media.

Pub Date: Sept. 22, 2026

ISBN: 9780525426073

Page Count: 304

Publisher: Dutton

Review Posted Online: Sept. 4, 2026

Kirkus Reviews Issue: today

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