A thrilling crime drama that paints a shrewd portrait of Silicon Valley.
In this novel, a Silicon Valley programmer searches for his missing best friend and stumbles on the possibility that the startup his pal works for is engaged in a criminal conspiracy.
Ted Hara is surprised when Sumire Yamashita suddenly shows up at his home in Japantown in San Jose—she’s the sister of his childhood friend Ryu as well as an old flame. But she’s not there to rekindle their relationship—she’s convinced Ryu has vanished and wants Ted to help track him down. At first, Ted assumes there’s an innocuous reason for Ryu’s disappearance, but then he discovers some alarming evidence to the contrary. Ryu works for well-funded but oddly secretive startup SüprDüpr and was told to keep his employment there private. These are peculiar facts given the ostentatiously boastful world of Silicon Valley firms, a strange cosmos memorably portrayed by Palter. In addition, Ted hacks into Ryu’s phone and realizes that his account has been deleted—not only has he vanished, but he has done so without even an electronic trace. Moreover, SüprDüpr is nearly inscrutable—despite its low profile, it has amassed hundreds of millions in financing and is quietly buying property in San Jose. Even less comprehensible is the company’s commitment to spend $100 million to build a new shelter for the homeless. In order to investigate further, Ted secures a job as a mathematician at SüprDüpr and discovers that it is building groundbreaking teleportation technology. Ryu’s disappearance may have something to do with his insistence that the tech was plagued by potentially dangerous problems. Even darker, Ted begins to suspect that SüprDüpr’s interest in the homeless population—which is inexplicably decreasing—is more sinister than philanthropic.
Palter artfully juxtaposes two different interpretations of Silicon Valley culture. On the one hand, it is a satirical self-parody of visionary creation, a world in which all of the denizens believe they are on the cusp of transforming the world. As Ted sardonically puts it, “It’s Unicorn Valley. We’re building the future. Reinventing the world. At least that’s what everyone in this town says.” On the other hand, there is a dark underbelly to that desire for breakneck disruption, one that can be nihilistically dismissive of human life, a bleakness Ted confronts. At the heart of the author’s deftly discomfiting tale is the engrossingly complex depiction of Ted—saddened by the death of his parents, he grapples with his loneliness in the same way his father did, through the stupefaction of alcohol. He’s Japanese but also impatiently dismissive of the culture he inherited—he can’t bear to sit thorough the traditional tea ceremony his mother held so dear. In addition, Palter unflinchingly anatomizes the problem of the homeless in Silicon Valley, one that may be intractable precisely because of the contempt so many have for this group. This outburst from Jesus, the chief of police in San Jose, seems aimed at the quiet disdain of many residents: “You think decent people want to live in the middle of their shit? In case you haven’t noticed, we’ve got a crisis on our hands.” This is an uncommonly captivating novel, one both dramatically gripping and politically uncompromising.
A thrilling crime drama that paints a shrewd portrait of Silicon Valley.Pub Date: Feb. 1, 2023
ISBN: 9781950627615
Page Count: 354
Publisher: Pandamoon Publishing
Review Posted Online: Jan. 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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