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SILENT RAGE

A sometimes-bumpy but always compelling tale about a budding murderer.

Awards & Accolades

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A teacher witnesses the birth of a serial killer in the form of one of her students in this debut psychological thriller. 

Libby Teach barely escaped a serial killer when she was 9 years old: her own Uncle Roger, who molested her and warned her to never tell. Now she works as a sixth grade teacher. One of her students is Russell Thomas, the son of a serial killer. Roger Allen Watson—the Trailer Park Murderer, who met his end via lethal injection—raped Russell’s mother when she was just 14. She now works as a stripper and prostitute, and her boyfriend, Wayne Jetsoe, molests 12-year-old Russell whenever he gets the chance. Russell likes Miss Teach: “She was pretty and seemed to care about all of her students even Russell. Maybe especially Russell. She often stood by his desk when she was lecturing about history and smiled at him like they shared a secret or something.” For her part, Libby is starting to worry about Russell and the violent things he writes in his journal. Is it possible that he may have inherited a few things from his father—the same man who molested Libby when she was a girl? Funk’s plot is an intricate dance between the various characters: not just Libby and Russell, but also others, including psychotic Wayne and handsome policeman Mike O’Malley, the protagonist’s love interest. The author’s prose is broad and simple: “Bud was the local go to guy for most drugs. Users like Leo were always looking for a new way to get high and forget about their miserable existence. Ironically, Bud was a conscientious drug dealer. He didn’t want his regulars getting messed up and dying.” Funk attempts to not only show how a serial killer behaves, but to identify the childhood roots of that behavior as well. In that sense, the book succeeds: Readers will feel badly for Russell even as they are horrified by what he is becoming. While the presentation is not quite as smooth as it could be, the novel is generally thrilling and thoroughly unafraid to take readers to some very dark places.

A sometimes-bumpy but always compelling tale about a budding murderer.

Pub Date: Nov. 13, 2018

ISBN: 978-1-72875-892-3

Page Count: 267

Publisher: Self

Review Posted Online: Nov. 13, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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